
Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…
Where the Middle Ages Begin

Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…

Let’s take five minutes to look at medieval alliterative poetry, using some of the most famous poems of the period.

The literature of war in English claims its origin from the Homeric epics, and the medieval accounts of chivalry and the crusades.

At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.

The literature of the Peasants’ Revolt of 1381, a miscellany of fourteenth-century poetry and prose penned before, during, and after the insurrection, often stresses the importance of literacy to the nonaristocratic population of England.

Chaucer’s scholar’s have long recognized the poet’s keen sense of observation and have commented upon the poet’s ability to transfer his visual images to his writing.

This article focuses on Aragonese courtier Hugo de Urriés’s public profile by means of analyzing the critical points derived from examining his personal, political, cultural and historical stands making use of an invaluable primary source, his letter to Fernando the Catholic in the early 1490s.

This article examines the influence of the conflicting dis- courses in the medieval church and its social context on the subconscious experiences of Hadewijch of Brabant, a 13th century Flemish visionary, mystical author, vernacular theologian and Beguine leader

The medieval literature was written with a purpose to teach Christian dogmas to the masses. The prose and poetry of the time meant to show men the ugliness of sin and the beauty of goodness.

I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.

The aim of this research paper is to analyse the Morte D’Arthur and find certain historical moments incorporated in the book. Firstly, as the goal of work follows a hypothesis that Thomas Malory reflected manifold incidents from the Wars of the Roses in the Morte D’Arthur, it was inevitable to understand author’s position in this civil war, which meant investigating in the authorship.

The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).

French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed.

The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.

This essay reviews opening scenes in some recent film Beowulfs, which, although they have nothing at all to say about Scyld Scefing, suggest a sacrificial reading of the prologue and perhaps even the whole poem.

John Barbour’s Bruce, composed in the mid 1370s, is the first long poem in the Scots vernacular. It contains twenty books, the first thirteen of which trace the Wars of Liberty from their origins until triumph at the Battle of Bannockburn. At this point the Irish ‘matter’ enters the poem.

This paper considers the vexed historiography of Tacitus’s Germania and its reception history, first among German and other European historians and then among Anglo-Saxonists.

This work is intended as an exploration of methods of time-reckoning and conception in Medieval Scandinavia. In the main this is tied to the dynamism between a duality: that of the cyclical and linear models of time‟s progression. Involved in this study are sources verbal and pictoral.

This week on Medieval Friends, we’re featuring Thomas Motter’s website, thematteroffrance.com. Thomas is fluent in French, and has lived in Paris and Munich. He’s done extensive research on medieval French history with an emphasis on the Chansons de Gestes.

The Anglo-Saxon rune-name sigel has been interpreted as meaning ‘sun’. In some contexts Old English sigel does refer to the sun, in others it means ‘clasp’, ‘brooch’, or ‘jewel’. All these meanings, however, are difficult to reconcile with the maritime imagery of the Anglo-Saxon Rune Poem’s sigel stanza.

In the last third of the fifteenth century, Hugo de Urriés’s work can offer the modern reader a very rare and informative perspective from the points of view of social history and history of ideas.

The Old English poem Judith explores Anglo-Saxon representations of femininity and masculinity by constructing a double-gendered hero who differs from the biblical version of the same woman.
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