It has been suggested that the art of the troubadour is original primarily in its exercise of choice within a relatively strictly limited field and that, if art results from the tension between freedom and restraint, then the two poles of this dialectic are the exercise of choice of expression and the limitation of the field in terms of subject-matter and linguistic register.
The dominant attitude of the anti-clerical rhetoric in Persian poetry is permeated by criticism of judges, lawyers, aesthetics, spiritual advisors, and authority figures of that nature. This is one of the reasons that makes this poetry still relevant.
This talk explores the relationship among the medieval and early modern traditions of the lyric in English to argue for the latter’s creative readings of the former.
Across the medieval world we can find various writings aimed at giving advice and wisdom. Here is some poetic wisdom from the ninth-century Middle East.
Our review of ‘Occupying Space in Medieval and Early Modern Britain and Ireland’
Although Egil’s Saga is memorable enough for its bloodshed, feuds, and comically disgusting mead-hall scenes, the one characteristic which most distinctly sets it apart from the other Icelandic sagas is its extensive use of poetry.
By Danièle Cybulskie Time and again, I’ve heard medieval knights referred to as “killing machines”, bred for a lifetime of battle and destruction.…
Professor David Wacks’s fascinating discussion of the Iberian Peninsula and it’s incredible linguistic heritage.
Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…
What was a poem by a Viking like? In his new book, Crimsoning the Eagle’s Claw, Ian Crockatt has translated dozens of poems of one of the most famous poets from the Norse world.
Let’s take five minutes to look at medieval alliterative poetry, using some of the most famous poems of the period.
The literature of war in English claims its origin from the Homeric epics, and the medieval accounts of chivalry and the crusades.
A brief look at how the medieval world viewed the Intersex individual.
At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.
The literature of the Peasants’ Revolt of 1381, a miscellany of fourteenth-century poetry and prose penned before, during, and after the insurrection, often stresses the importance of literacy to the nonaristocratic population of England.
Chaucer’s scholar’s have long recognized the poet’s keen sense of observation and have commented upon the poet’s ability to transfer his visual images to his writing.
This article focuses on Aragonese courtier Hugo de Urriés’s public profile by means of analyzing the critical points derived from examining his personal, political, cultural and historical stands making use of an invaluable primary source, his letter to Fernando the Catholic in the early 1490s.
This article examines the influence of the conflicting dis- courses in the medieval church and its social context on the subconscious experiences of Hadewijch of Brabant, a 13th century Flemish visionary, mystical author, vernacular theologian and Beguine leader
My 10 favourite things about Southwark Cathedral.
The medieval literature was written with a purpose to teach Christian dogmas to the masses. The prose and poetry of the time meant to show men the ugliness of sin and the beauty of goodness.
I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.
The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).
French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed.
The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.