Our review of ‘Occupying Space in Medieval and Early Modern Britain and Ireland’
Although Egil’s Saga is memorable enough for its bloodshed, feuds, and comically disgusting mead-hall scenes, the one characteristic which most distinctly sets it apart from the other Icelandic sagas is its extensive use of poetry.
By Danièle Cybulskie Time and again, I’ve heard medieval knights referred to as “killing machines”, bred for a lifetime of battle and destruction. Difficult as it may be, it’s critical to for us to remember that every one of the men mired in mud and blood on the battlefield was not a machine, but a […]
Professor David Wacks’s fascinating discussion of the Iberian Peninsula and it’s incredible linguistic heritage.
Danièle Cybulskie, the @5minMedievalist brings us a piece on Anglo-Saxon poetry.
Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…
What was a poem by a Viking like? In his new book, Crimsoning the Eagle’s Claw, Ian Crockatt has translated dozens of poems of one of the most famous poets from the Norse world.
Let’s take five minutes to look at medieval alliterative poetry, using some of the most famous poems of the period.
The literature of war in English claims its origin from the Homeric epics, and the medieval accounts of chivalry and the crusades.
At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.
Chaucer’s scholar’s have long recognized the poet’s keen sense of observation and have commented upon the poet’s ability to transfer his visual images to his writing.
Late Medieval Knight Reflecting on his Public Life: Hugo de Urriés (c. 1405-c. 1493), Diplomacy and Translating the Classics
This article focuses on Aragonese courtier Hugo de Urriés’s public profile by means of analyzing the critical points derived from examining his personal, political, cultural and historical stands making use of an invaluable primary source, his letter to Fernando the Catholic in the early 1490s.
The influence of conflicting medieval church and social discourses on individual consciousness : dissociation in the visions of Hadewijch of Brabant
This article examines the influence of the conflicting dis- courses in the medieval church and its social context on the subconscious experiences of Hadewijch of Brabant, a 13th century Flemish visionary, mystical author, vernacular theologian and Beguine leader
My 10 favourite things about Southwark Cathedral.
The medieval literature was written with a purpose to teach Christian dogmas to the masses. The prose and poetry of the time meant to show men the ugliness of sin and the beauty of goodness.
I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.
Reflection of the Wars of the Roses in Thomas Malory`s Le Morte D`Arthur: Literary-cultural analysis
The aim of this research paper is to analyse the Morte D’Arthur and find certain historical moments incorporated in the book. Firstly, as the goal of work follows a hypothesis that Thomas Malory reflected manifold incidents from the Wars of the Roses in the Morte D’Arthur, it was inevitable to understand author’s position in this civil war, which meant investigating in the authorship.
The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).
French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed.
The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.
This essay reviews opening scenes in some recent film Beowulfs, which, although they have nothing at all to say about Scyld Scefing, suggest a sacrificial reading of the prologue and perhaps even the whole poem.
This paper considers the vexed historiography of Tacitus’s Germania and its reception history, first among German and other European historians and then among Anglo-Saxonists.