Although Egil’s Saga is memorable enough for its bloodshed, feuds, and comically disgusting mead-hall scenes, the one characteristic which most distinctly sets it apart from the other Icelandic sagas is its extensive use of poetry.
By Danièle Cybulskie Time and again, I’ve heard medieval knights referred to as “killing machines”, bred for a lifetime of battle and destruction. Difficult as it may be, it’s critical to for us to remember that every one of the men mired in mud and blood on the battlefield was not a machine, but a […]
At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.
Late Medieval Knight Reflecting on his Public Life: Hugo de Urriés (c. 1405-c. 1493), Diplomacy and Translating the Classics
The influence of conflicting medieval church and social discourses on individual consciousness : dissociation in the visions of Hadewijch of Brabant
I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.
Reflection of the Wars of the Roses in Thomas Malory`s Le Morte D`Arthur: Literary-cultural analysis
The aim of this research paper is to analyse the Morte D’Arthur and find certain historical moments incorporated in the book. Firstly, as the goal of work follows a hypothesis that Thomas Malory reflected manifold incidents from the Wars of the Roses in the Morte D’Arthur, it was inevitable to understand author’s position in this civil war, which meant investigating in the authorship.
The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).