
A look at cool and fun facts about angels and how they were depicted in some of the most beautiful works of Medieval and Renaissance art.
Where the Middle Ages Begin

A look at cool and fun facts about angels and how they were depicted in some of the most beautiful works of Medieval and Renaissance art.

I love to read. I also love books depicted in art. I became fascinated with Medieval and Renaissance pictures of women reading or with books. I noticed while I was walking around the National Gallery, Musèe Cluny and the Louvre recently that there are many beautiful images of women reading or with books. Saints, sinners, and laywomen; I wanted to share a few of my favourites. Here are 20 works of art of women and their books

Archaeologists in the French capital have discovered more than 200 skeletons on what was once the site of a medieval hospital. It is believed that the remains date between the 14th and 16th centuries.

If you’re an ancient historian, a medievalist, or early modernist, there are so many other amazing pieces and works of art a the Louvre other than these two tourist staples. Here is my list of cool, creepy, unusual and better than the Mona Lisa at the Louvre in Paris.

I just visited Muée de Cluny this week while in Paris and picked out a few fabulous items you might want to check out on your next visit to this amazing medieval museum!

Despite offering exemplary samples of almost every type of art, the Louvre showcases some great examples of medieval art. The Richelieu Wing is where it’s at!

I argue that the women in fourteenth-century Paris expected affection, or at least a lack of hatred, within their marriages.

Paris has been besieged many times throughout history, yet the Siege of Paris by the Vikings in 845 remains a significant episode in this larger chronology.

Travelling to Paris ? Add this beautiful thirteenth century Capetian chapel to your MUST-SEE list for your next visit!

The identity of Petrus Hispanus is a matter of some controversy. Part of the problem is centred on the fact that ‘Hispanus’ covers the general region of the Iberian Peninsula, referred to in medieval times as ‘las Españas’ (the Spains), incorporating both present day Spain and Portgual.

My latest visit to the Victoria and Albert Musuem: 10 Medieval and Renaissance Things to See at the Victoria and Albert Museum.

The curious phrase lit de justice originated in the fourteenth century and by the first decade of the fifteenth century designated particularly important royal sessions of the Parlement of Paris.

French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed.

Grundmann‘s search for a founding figure is understandable in light of the problematic nature of Beguine institutional history. Beguine historiography has long struggled with the anomalous lack of clear foundation documents and accounts.

We are well informed on the life of Stephen of Tournai and some of his work (97). Born in 1128, he grew up in the chapter of Sainte-Croix in Orléans, where he was educated in the artes liberales.

Gold printing in the fifteenth century is very rare. There are only two printers who are known to have applied this technique. One of them was Erhard Ratdolt who first used gold for printing a gloriously spectacular full page of dedication in a number of copies of his editio princeps of Euclid.

Literary and historical evidence of religious disputes that took place between Jews and Christians during the Middle Ages exists in a varietyof sources.

Scholars in Germany and elsewhere have studied individual instances of this growth in the output of scriptoria and expansion of collections, but no-one, as far as I know, has drawn attention to the impressive scale and character of the phenomenon as a whole.

Sarah-Grace Heller examines a letter sent by Charles I of Anjou, King of Sicily to one of his agents in Paris, where he provides a detailed order of textiles and clothing that he needed to have purchased.

This study asks: how did jongleurs professionalize over the course of the thirteenth and fourteenth centuries and incorporate themselves into society as legitimate, productive members?

We provide evidence from the Parisian tailles levied between 1292 and 1313 and other historical records that indicates that these royal taxes were collected from the Free City of Paris at a remarkably low cost, without violence and with limited recourse to legal action against tax evaders.
Copyright © 2015 · Magazine Theme on Genesis Framework · WordPress · Log in
How you can Follow Us!