
The wood-of-the-cross legend is actually a group of narratives that trace the pre- history of the wood used to make Christ’s cross back to Old Testament figures, or in some cases back to paradise itself.
Where the Middle Ages Begin

The wood-of-the-cross legend is actually a group of narratives that trace the pre- history of the wood used to make Christ’s cross back to Old Testament figures, or in some cases back to paradise itself.

Edmund was said to have been crowned at the age of just fourteen years by St Humbert on 25 December 855 in the then royal capital Burna, (probably Bures St Mary, Suffolk). Almost nothing is known of his life and reign, though he was recorded as a just and uncompromising ruler, the embodiment of the Greek ideal of the kalòs kai agathòs – that is, the right balance of the Good and the Beautiful, the combination of virtues that could create the perfect nobleman.

It is this humanity in a monster that helps to show why these draugar fascinate us so much. The “others” that exist outside the boundaries of society: the weird old ladies that people label as evil witches, the misshapen, the “freaks” that Tod Browning made famous are funhouse mirror images of ourselves.

An interview with author Nancy Brown on her latest medieval offering: “Song of the Vikings: Snorri and the Making of Norse Myths”.

There was something so real in the languages that he created, and critics wanted to find the inspirations behind Tolkien‘s worlds. Elves, dwarves, men, hobbits, and various other creatures occupied the pages of his books, but the languages he created were complex and had real elements in them. Examples of his invented languages were those spoken by the Elves, Sindarin and Quenya.

The findings of this thesis confirm that the values of LOTR and the Kingdom are notably similar, and that the reader of LOTR does indeed derive from it an experience of what the Kingdom ideally is. But all this is “under the surface”, and Tolkien did not impose his Christianity.

How did the believers of the Old Norse religion perceive other religions, and to what extent did people from the outside get in contact with myths and rituals?

Special individuals capable of understanding the language of birds are spread throughout the medieval Icelandic literary corpus. This phenomenon has received surprisingly little academic attention and is deserving of detailed, extensive, and interdisciplinary study. Capable of flight and song, birds universally hold a special place in human experience. Their effective communication to people in Old Norse lore offers another example of their unique role in humanity’s socio-cosmic reality.

The amount of research into the field of medieval monsters has been growing within the past few decades, but the monster has not always been accepted as a worthwhile topic of serious study

Arthur and his knights are set apart from other literary heroes because of their unique construct, a blending of two cultures into one legend.

From the first through the fourteenth centuries, a succession of solutions to the problem of these virtuous pagans evolved. For the Early Church, an attractive solution was that Christ descended into Hell to convert the souls he found there.

Greek philosophy, Jewish apocryphal literature, Biblical doctrine, and pagan Germanic folklore all contribute elements to the demons which flourished in men’s minds at the close of the medieval period.

In this paper, I will show how the ancient myths of Pan, Perseus, Dionysius, and Prometheus have an impact on Book I of Francis Bacon’s Novum Organum.

In this dissertation I examine key smithing motifs in the eddic poems Võluspá and Võlundarkviña in relation to the socio-cultural role of smithing techniques and sites in early medieval Scandinavia.

I would like to speculate on Tolkien’s sources for Gollum. As a start, it is likely that Tolkien’s conscious sources for Gollum were the same as his sources for ents.

This paper situates The Pied Piper story as an exilic narrative, part of a larger repertoire of stories that follow the romantic quest-myth formula, a formula that conveys a totla metaphor for the “journey of life”.

… Samarkand was seen as the last great urban Islamic stop.4 Perhaps because of this, the period between the Arab invasion of Samarkand and the Mongol invasion in 1220 fomented many of the mythologies about the city which will feature prominently in this paper.

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.

Medieval Chinese and Japanese literature provides numerous examples of near-death experiences, episodes in which the narrator claims to have gained personal images of the after life.

Albertus Magnus’s thirteenth-century work, De animalibus, a lengthy compilation based on Aristotle and on a handful of commentators, is as close as the Middle Ages comes to a systematic natural history in our understanding of the term.

The following chapters will explore how Tolkien fuses themes and imagery from the pagan Norse apocalyptic myth of Ragnarök with Christian apocalyptic imagery and themes in a recreated Dark Age historical setting to create The Lord of the Rings.

This paper examined the role of Medb and Fedelm, the seer in the Táin. It focuses on this conversation between the seer and Medb.
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