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	<title>Medievalists.net &#187; Music</title>
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	<description>Where the Middle Ages Begin</description>
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		<title>An English composer in royal and aristocratic service: Robert Chirbury, c. 1380–1454</title>
		<link>http://www.medievalists.net/2010/05/10/an-english-composer-in-royal-and-aristocratic-service-robert-chirbury-c-1380%e2%80%931454/</link>
		<comments>http://www.medievalists.net/2010/05/10/an-english-composer-in-royal-and-aristocratic-service-robert-chirbury-c-1380%e2%80%931454/#comments</comments>
		<pubDate>Mon, 10 May 2010 18:19:15 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=8155</guid>
		<description><![CDATA[
			
				
			
		
An English composer in royal and aristocratic service: Robert Chirbury, c. 1380–1454
By Alexandra Buckle
Plainsong and Medieval Music, Vol.15 No.2 (2006)
Abstract: Four compositions in the first layer of the Old Hall Manuscript (GB-Lbl, Add. MS 57950) are attributed to R. Chirbury (or R. Chyrbury). This article argues that the Robert Chirbury who ended his days as [...]


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<li><a href='http://www.medievalists.net/2009/07/17/orderic-vitalis-and-robert-of-belleme/' rel='bookmark' title='Permanent Link: Orderic Vitalis and Robert of Belleme'>Orderic Vitalis and Robert of Belleme</a></li>
<li><a href='http://www.medievalists.net/2010/02/22/diffinicione-successionis-ad-regnum-scottorum-royal-succession-in-scotland-in-the-later-middle-ages/' rel='bookmark' title='Permanent Link: Diffinicione successionis ad regnum Scottorum: royal succession in Scotland in the later middle ages'>Diffinicione successionis ad regnum Scottorum: royal succession in Scotland in the later middle ages</a></li>
</ol>]]></description>
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		<item>
		<title>Musical Monuments from Medieval Meath</title>
		<link>http://www.medievalists.net/2010/04/19/musical-monuments-from-medieval-meath/</link>
		<comments>http://www.medievalists.net/2010/04/19/musical-monuments-from-medieval-meath/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 16:38:36 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Ireland]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=7909</guid>
		<description><![CDATA[
			
				
			
		
Musical Monuments from Medieval Meath
By Ann Buckley
Records of Meath Archaeological and Historical Society, Vol.19 (2008)
Introduction: The most common figure representing musical performance in medieval religious iconography is King David, Old Testament prophet, musician, and author of the Psalms. His appearance in Insular art emerged in the eighth century as the scope of the iconographic programme [...]


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<li><a href='http://www.medievalists.net/2008/11/18/the-role-of-women-in-musical-life-the-medieval-arabo-islamic-courts/' rel='bookmark' title='Permanent Link: The Role of Women in Musical Life: The Medieval Arabo-Islamic Courts'>The Role of Women in Musical Life: The Medieval Arabo-Islamic Courts</a></li>
<li><a href='http://www.medievalists.net/2009/12/19/interpolating-the-musical-text-of-the-lyric-interpolations-guillaume-de-dole-the-trouvere-manuscript-tradition/' rel='bookmark' title='Permanent Link: Interpolating the Musical Text of the Lyric Interpolations: Guillaume de Dole the Trouvere Manuscript Tradition'>Interpolating the Musical Text of the Lyric Interpolations: Guillaume de Dole the Trouvere Manuscript Tradition</a></li>
</ol>]]></description>
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		<item>
		<title>Muslims, Jews and Christians in medieval Muslim Seville: (711-1248 CE) : perceiving artistic expressions as signs of acculturation</title>
		<link>http://www.medievalists.net/2010/04/12/muslims-jews-and-christians-in-medieval-muslim-seville-711-1248-ce-perceiving-artistic-expressions-as-signs-of-acculturation/</link>
		<comments>http://www.medievalists.net/2010/04/12/muslims-jews-and-christians-in-medieval-muslim-seville-711-1248-ce-perceiving-artistic-expressions-as-signs-of-acculturation/#comments</comments>
		<pubDate>Mon, 12 Apr 2010 22:01:39 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[al-Andalus]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=7715</guid>
		<description><![CDATA[
			
				
			
		
Muslims, Jews and Christians in medieval Muslim Seville: (711-1248 CE) : perceiving artistic expressions as signs of acculturation
By Laura E. Vaughan
Bachelors of Music Thesis, University of Oregon, 2006
Abstract: In the past few centuries, scholars have begun to reevaluate the Euro-centrism of western history. Spain in the Middle Ages presents fertile research ground because it was [...]


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</ol>]]></description>
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		</item>
		<item>
		<title>The Image of the Jongleur in Northern France Around 1200</title>
		<link>http://www.medievalists.net/2010/01/23/the-image-of-the-jongleur-in-northern-france-around-1200/</link>
		<comments>http://www.medievalists.net/2010/01/23/the-image-of-the-jongleur-in-northern-france-around-1200/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 22:38:16 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=6635</guid>
		<description><![CDATA[
			
				
			
		
The Image of the Jongleur in Northern France Around 1200
By John W. Baldwin
Speculum, Vol. 72, No. 3. (1997)
Introduction: In the pages of the Latin chroniclers writing around 1200 the jongleur appears as a gray, furtive shadow. His existence was acknowledged by the broad term joculator, but his functions were too suspect to deserve further comment. The [...]


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</ol>]]></description>
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		</item>
		<item>
		<title>The Medium of Middle English Lyrics</title>
		<link>http://www.medievalists.net/2009/12/30/the-medium-of-middle-english-lyrics/</link>
		<comments>http://www.medievalists.net/2009/12/30/the-medium-of-middle-english-lyrics/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 17:03:43 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Middle English]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=6098</guid>
		<description><![CDATA[
			
				
			
		
The Medium of Middle English Lyrics
Stevick, Robert D.
Medieval English Studies, vol. 8 (2000)
Abstract 
A few years ago I prepared a revised edition of One Hundred Middle English Lyrics for a new publisher, about thirty years after completing the first edition. During the intervening years I had drifted into Old English, the history of English, and [...]


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</ol>]]></description>
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		</item>
		<item>
		<title>The Sweet Song of Satan: Music and Resistance in the Vercelli Book</title>
		<link>http://www.medievalists.net/2009/12/26/the-sweet-song-of-satan-music-and-resistance-in-the-vercelli-book/</link>
		<comments>http://www.medievalists.net/2009/12/26/the-sweet-song-of-satan-music-and-resistance-in-the-vercelli-book/#comments</comments>
		<pubDate>Sat, 26 Dec 2009 19:34:15 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Anglo-Saxon]]></category>
		<category><![CDATA[Hagiography]]></category>
		<category><![CDATA[Liturgy]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Tenth century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=5898</guid>
		<description><![CDATA[
			
				
			
		
The Sweet Song of Satan: Music and Resistance in the Vercelli Book
Heckman, Christina M.
Essays in Medieval Studies, vol. 15 (1998)
Abstract
In the poetry and prose homilies of the Vercelli Book, a collection of Anglo-Saxon texts dating from the second half of the tenth century, music exercises a constitutive as well as metaphorical force. Music not only [...]


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<li><a href='http://www.medievalists.net/2009/03/13/the-music-of-dante%e2%80%99s-purgatorio/' rel='bookmark' title='Permanent Link: The Music of Dante’s Purgatorio'>The Music of Dante’s Purgatorio</a></li>
<li><a href='http://www.medievalists.net/2008/12/01/medieval-music-manuscripts-treasures-of-sight-and-sound/' rel='bookmark' title='Permanent Link: Medieval Music Manuscripts: Treasures of Sight and Sound'>Medieval Music Manuscripts: Treasures of Sight and Sound</a></li>
</ol>]]></description>
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		<item>
		<title>Source Readings on the Practice and Spirituality of Chant: New Texts, New Approaches</title>
		<link>http://www.medievalists.net/2009/12/19/source-readings-on-the-practice-and-spirituality-of-chant-new-texts-new-approaches/</link>
		<comments>http://www.medievalists.net/2009/12/19/source-readings-on-the-practice-and-spirituality-of-chant-new-texts-new-approaches/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 02:16:57 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Liturgy]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Religious Life]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=5627</guid>
		<description><![CDATA[
			
				
			
		
Source Readings on the Practice and Spirituality of Chant: New Texts, New Approaches
Lochner, Fabian C.
Essays in Medieval Studies, vol. 8 (1991)
Abstract
Research on performance practice is one of the thriving fields in contemporary musicology. There is indeed a growing demand for information on the performance of medieval, Renaissance and Baroque music by the community of performing [...]


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<li><a href='http://www.medievalists.net/2008/11/25/chant-music-for-paradise/' rel='bookmark' title='Permanent Link: Chant – Music for Paradise'>Chant – Music for Paradise</a></li>
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</ol>]]></description>
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		</item>
		<item>
		<title>Interpolating the Musical Text of the Lyric Interpolations: Guillaume de Dole the Trouvere Manuscript Tradition</title>
		<link>http://www.medievalists.net/2009/12/19/interpolating-the-musical-text-of-the-lyric-interpolations-guillaume-de-dole-the-trouvere-manuscript-tradition/</link>
		<comments>http://www.medievalists.net/2009/12/19/interpolating-the-musical-text-of-the-lyric-interpolations-guillaume-de-dole-the-trouvere-manuscript-tradition/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 18:58:56 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=5620</guid>
		<description><![CDATA[
			
				
			
		
Interpolating the Musical Text of the Lyric Interpolations:Guillaume de Dole the Trouvere Manuscript Tradition
Callahan, Christopher
Essays in Medieval Studies, vol. 8 (1991)
Abstract
 The early 13th century romance of Guillaume de Dole, more properly known as the Romance of the Rose, constitutes by its diverse collection of song types the oldest chansonnier that we possess. Written around [...]


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<li><a href='http://www.medievalists.net/2008/10/17/the-horse-the-clerk-and-the-lyric-the-musicography-of-the-thirteenth-and-fourteenth-centuries/' rel='bookmark' title='Permanent Link: The Horse, the Clerk and the Lyric: The Musicography of the Thirteenth and Fourteenth Centuries'>The Horse, the Clerk and the Lyric: The Musicography of the Thirteenth and Fourteenth Centuries</a></li>
<li><a href='http://www.medievalists.net/2008/10/30/desire-and-generic-differentiation-in-trouvere-song/' rel='bookmark' title='Permanent Link: Desire and Generic Differentiation in Trouvère Song'>Desire and Generic Differentiation in Trouvère Song</a></li>
</ol>]]></description>
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		<item>
		<title>Scholastic Imagery in The Florence Manuscript</title>
		<link>http://www.medievalists.net/2009/12/19/scholastic-imagery-in-the-florence-manuscript/</link>
		<comments>http://www.medievalists.net/2009/12/19/scholastic-imagery-in-the-florence-manuscript/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 18:03:37 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Manuscripts and Palaeography]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=5599</guid>
		<description><![CDATA[
			
				
			
		
Scholastic Imagery in The Florence Manuscript
Catalano, George
Essays in Medieval Studies, vol. 7 (1990)
Abstract
The Florence manuscript was produced in Paris during the mid-thirteenth century by a lay workshop now known as the Johannes Grusch atelier, a named coined by Robert Branner. This manuscript contains the largest extant collection of music in the &#8220;Notre Dame&#8221; style. Apart [...]


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<li><a href='http://www.medievalists.net/2009/12/15/the-order-of-the-texts-in-the-bodley-34-manuscript-the-function-of-repetition-and-recall-in-a-manuscript-addressed-to-nuns/' rel='bookmark' title='Permanent Link: The Order of the Texts in the Bodley 34 Manuscript: The Function of Repetition and Recall in a Manuscript Addressed to Nuns'>The Order of the Texts in the Bodley 34 Manuscript: The Function of Repetition and Recall in a Manuscript Addressed to Nuns</a></li>
<li><a href='http://www.medievalists.net/2009/09/23/music-and-magic-in-le-bel-inconnu-and-lybeaus-desconu/' rel='bookmark' title='Permanent Link: Music and Magic in Le Bel Inconnu and Lybeaus Desconu'>Music and Magic in Le Bel Inconnu and Lybeaus Desconu</a></li>
</ol>]]></description>
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		<item>
		<title>Franciscan Chant as a Late Medieval Expression in the Liturgy</title>
		<link>http://www.medievalists.net/2009/12/16/franciscan-chant-as-a-late-medieval-expression-in-the-liturgy/</link>
		<comments>http://www.medievalists.net/2009/12/16/franciscan-chant-as-a-late-medieval-expression-in-the-liturgy/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 22:32:27 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Liturgy]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Music]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=5511</guid>
		<description><![CDATA[
			
				
			
		
Franciscan Chant as a Late Medieval Expression in    the Liturgy 
Wagner, Lavern John
Essays in Medieval Studies, vol. 5 (1988)
Abstract
When St. Francis turned his back on earthly vanities and established the Franciscan order in the first part of the 13th century, his biographers tell us he did not cease his interest in music. [...]


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