
In 1991, the alternative rock band Dead Can Dance released an album that caught the attention of music reviewers by constructing an aural allegiance to the Middle Ages.
Where the Middle Ages Begin

Over the holiday season, Southwark Playhouse is presenting their reinterpretation of The Ballad of Robin Hood.

Love him or hate him, one thing you can say about England’s Richard the Lionheart is that there are some great stories about him.

The work reported on in this talk is a collaborative effort involving forces performative, scholarly, and technological. Because of the way Hildegard describes her understanding of the cosmos in the treatise Scivias, the model unfolds in two acts.

The upside-down world of Satanic black metal is uncanny, both familiar in its use of inverted tropes and schemes and yet completely ‘other’ to those on the outside looking in, including Christians and consumers of mainstream popular culture.

The height of their popularity was in the 12th-13th Centuries, and they wrote songs about people, politics, and religion, but most of all, love. Let’s take five minutes to talk about troubadours.

New research has uncovered the earliest known practical piece of polyphonic music, an example of the principles that laid the foundations of European musical tradition.

John Hothby’s career as cathedral choirmaster at Lucca is one of the longest, best documented, and most exceptional of any Northern musician active in fifteenth-century Italy.

‘I can finally say I feel at home with Medieval Pop as a sound and a brand that is 100% honest with myself.’

While dancing they are oblivious to their surroundings, they shriek, scream, and rave – note the use of ‘rave’ in its older meaning of manic behaviour – and they have visions which ‘according as the religious notions of the age were strangely and variously reflected in their imaginations.

Danielle Trynoski reports on ‘Music as Text and Music as Image’ by Susan Boynton at the Medieval Academy of America and Medieval Association of the Pacific Conference

Viking metal is a dynamic and popular subgenre of metal music of burgeoning popularity coming primarily from Nordic countries.

A list of eight hundred existing parish churches with a priori evidence of organs has been drawn up, forming the basis for exploration of medieval churches for physical evidence of liturgical musical arrangements, including organs.

If one looks closely at the famous painting, The Garden of Earthly Delights, created by Hieronymous Bosch around the year 1500, you can find many strange images. This includes a scene in hell where someone has musical notes on their butt. Now, a student has deciphered what this music sounded like.

The monochord was a standard feature of musical pedagogy in the Middle Ages and the Renaissance. In the modern classroom, it allows our students to experience the pedagogical world of the medieval classroom, bringing a deeper reality to an otherwise abstract series of concepts.

The life of the Anglo-Saxons and the Vikings was probably filled with tunes and music wherever they worked and lived – from the more formal pieces of courtly music to the everyday, when men could be found just singing tunes to the cattle as they milked, or kept rhythm to songs as they sowed the seed in the ploughed fields

On Friday and Saturday, June 9 and 10, 2012, a concert and workshop focusing on the medieval organ were held at the Basel (Switzerland) Peterskirche. They dealt with concepts, designs, rep- ertoire and the medieval organ used in ensemble.
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