
Manifestations of the Grotesque and Carnivalesque Body in Ingmar Bergman’s The Seventh Seal Brian Gourley (School of English, Queen’s University Belfast)Queen’s University Belfast, Quest, Vol.1 (2006) Abstract Ingmar Bergman’s 1957 film The Seventh Seal (Det Sjunde Inseglet) remains arguably his best-known work. If one talks of the existence of a genre of medieval film, and subsequently, the […]















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