Tag: Middle English Language

Chaucer
Articles

Guilt and Creativity in the Works of Geoffrey Chaucer

I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.

Sir Gawain and the Green Knight - from original manuscript, date unknown.
Articles

Medieval Misogyny and Gawain’s Outburst against Women in “‘Sir Gawain and the Green Knight’

The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).

Articles

Gower’s “Confessio” and the “Nova statuta Angliae”: royal lessons in English law

In the following discussion, I will explore some hitherto unexamined links between the Confessio Amantis and one of these legal texts, the Nova Statuta Angliae or New Statutes of England, which circulated among professional and non-professional readers in the 1380s and 1390s and which Richard II received in a manuscript now in Cambridge: St. John’s College MS A.7.

Articles

Impregnable friendship : locating desire in the middle English ‘Amis and Amiloun’

Scholarship on Amis and Amiloun has generally been divided into two critical schools. The majority of critics have read the work as an exemplar of perfect friendship, overlooking (or ignoring) any trace of homoeroticism, citing the possibility itself as anachronistic, or explaining away its presence by offering historical or theoretical justification for intimacy among medieval men.