Guillaume de Machaut’s “Messe de Nostre Dame” in the context of fourteenth-century polyphonic music for the Mass Ordinary

Messe de Nostre Dame

It is a contention of this thesis that, among these sources of fragmentary or whole (that is, five- or six- movement), Mass cyles, a historical context may be found for the Messe de Nostre Dame, a work which has traditionally been approached as though is possessed no such context.

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