Mnemotechnics and the Reception of the Aeneid in Late Antiquity and the Middle Ages

Detail of a miniature of several episodes from book IV of Virgil's Aeneid: on the right, the hunt during which Dido and Aeneas meet; on the left, Dido and Aeneas ride into a cave together, and in the middle of the image, Dido is on her funeral pyre, committing suicide after the departure of Aeneas.

If Simonides was the inventor of the art of memory, and ‘Tulliua’ its teacher, Thomas Aquinas became something like its patron saint.

Beasts and Buildings: Religious Symbolism and Medieval Memory

abbey-of-fontenay-cloister

Far from being a rare or special practice, the use of this mnemonic system was the universal foundation of medieval monastic education.

From Medieval Mnemonics to a Social Construction of Memory

art of memory

From Medieval Mnemonics to a Social Construction of Memory: Thoughts on Some Early European Conceptualizations of Memory, Morality, and Consciousness By Noel Packard and Christopher Chen AMERICAN BEHAVIORAL SCIENTIST, Vol. 48: 10 (2005) Abstract: How did human memory activity, conceived of as an activity that helped bring a person closer to God, become affiliated with […]

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