
Vikings settled in, and ruled, many parts of the British Isles and Ireland, but of these areas only the Norse earldom of Orkney has a whole Icelandic saga devoted to its early history.
Where the Middle Ages Begin

Vikings settled in, and ruled, many parts of the British Isles and Ireland, but of these areas only the Norse earldom of Orkney has a whole Icelandic saga devoted to its early history.

Historical fiction was just beginning as literary genre in the 19th century, but soon authors found success in writing about stories set in the Middle Ages.

Photographer Euan Forrester spent three years following the Society of Creative Anachronism (SCA) to better understand about the organization and the people who take part in it. He has now created a short film that showcases the wonderful photographs of their events: Euan took in events from the northwest United States and Canada – known in SCA […]

Although the Viking Age ended nearly a millennium ago, today Viking images are everywhere, functioning as tourist attractions, marketing devices, role models, and sources of regional/national pride and identity.

This study shows how ‘twentieth-century medievalism’ provides a unified fictional microcosm for the novel and serves as a backdrop from which Hemingway projects his uniquely medieval modern-world tragedy.

I’ll propose that few times are more Immemorial than the medieval, which I think helps explain why the North American Norse have been promoted so heavily. It’s not just their priority among European arrivals; it’s that they’re medieval arrivals.

It’s that time of year again – the mad scramble for the perfect Christmas gift for the historian, nerd, avid reader on your list. Here are a few suggestions for you – new releases for December and January!

While the reliance of the fantasy market on medieval motifs – its reliance on medievalism, to be more precise – is not news, there remain a few thoughts to be articulated about the means by which so many popular female protagonists continue to have staying power and high market value within particular systems of power, systems familiar to the medievalist even when decontextualized, displaced and relocated elsewhere in the space–time continuum of the imagination.

This thesis deals with medievalism within medieval cinema and how certain social groups are represented within these cultural productions.

“Richard ΠΙ with aliens” is how Cornell (102) describes “Sins of the Father,” an episode of Star Trek: TheNext Generation (hereafter TNG) in which the Klingon warrior Worf, son of Mogh, seeks to restore his family’s honour by exposing and challenging those responsible for falsely accusing his dead father of treason to the Klingon Empire.

From punkin chunkin to the newfound popularity of witches, the festival of Halloween is reaching back to the Middle Ages for its traditions. Is this a good thing for medievalists?

Now that we are learning to hear Asser’s voice not through the ears of the Victorians, but with our own ears, with no reason at all to fear the voice of an intelligent and sophisticated hagiographer, we will at last be hearing a voice which Alfred himself heard.

It is hard at times to take the Agincourt Carol entirely seriously. Patriotism of such brash exuberance seems more properly to belong in a brightly lit Laurence Olivier world of mid twentieth-century medievalism than amid the grim and tangled realities of fifteenth- century politics and war.

Sarah Higley, from the University of Rochester, created this film based on three stories from Confessio Amantis: The Travelers and the Angel, The Tale of Machaire and Canace, and The Tale of Florent.

My goal is to intervene in ongoing discussions of race and periodicity, particularly vis-à-vis medieval culture, in order to investigate the informing role of the medieval and more particularly of medievalisms in the construction, representation, and perpetuation of modern racisms.

We are visiting the medieval fair on Gotland. Here we find people dedicating mostly of their spare time to as accurate as possible recreate medieval life. What makes them want to do that? Is it geeks escaping reality or a proper presentation of researched history? Or maybe a little bit of both?

This study will offer two Hollywood productions, A Knight’s Tale and Timeline, as visual representations that illustrate the reasons behind what may be called American Neomedievalism.

In this article we argue that medieval films are not to be analyzed according to their faithfulness to the known historical sources, but that they can only be fully analyzed by understanding medievalist codes, traditions and (filmic) intertextuality.

In this article I will examine what kinds of history and tradition are used and told in Dracula tourism in Romania, and which eras of history are highlighted and why.

This essay reviews opening scenes in some recent film Beowulfs, which, although they have nothing at all to say about Scyld Scefing, suggest a sacrificial reading of the prologue and perhaps even the whole poem.
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