
Nancy Marie Brown speaking on her new book Ivory Vikings: The Mystery of the Most Famous Chessmen in the World and the Woman Who Made Them, at Cornell University on October 15, 2015
Where the Middle Ages Begin

Nancy Marie Brown speaking on her new book Ivory Vikings: The Mystery of the Most Famous Chessmen in the World and the Woman Who Made Them, at Cornell University on October 15, 2015

I love gargoyles. While there are so many beautiful pieces of sculpture that have survived the Middle Ages, like so many people, I’m drawn to those strange and ugly funny faces, not least of all because I can’t figure out what they’re for.

I intend to look at magic bowls in order to see how and for what purpose they were used, and to get a glimpse at the way they worked and what hidden treasures can be found within them.

One book leads to the next. It’s a truism among writers, and particularly apt for explaining how my latest book, Ivory Vikings: The Mystery of the Most Famous Chessmen in the World and the Woman Who Made Them, published by St Martin’s Press in September, came to be.

One of the most important pieces of a furniture in the medieval home was the bed – it would not only be the place to sleep and have sex, but also where one would give birth and often where people would have their last moments.

The glittering and gleaming artifacts that can be found in Anglo-Saxon archaeological sites capture the imagination, conjuring up images of a warrior culture that displayed its wealth through wearable objects.

Relics thus typify the characteristic dynamic of medieval Christianity—a repeated refreshing and renewing of an ancient tradition that was endlessly culturally creative.
![Letter of Indulgence for the Herkenrode Abbey (Source: Flandrica.be | Limburg Provincial Library) [CreativeCommons BY-NC-SA BE 2.0]](http://www.medievalists.net/wp-content/uploads/2015/04/letter-of-indulgence.jpg)
Analysing manuscripts, relics, indulgences, and even a bishop’s mitre, the article argues that stitching was a way to enact, or intensify, the ritual purpose of objects, whether that was ceremonial, devotional, or authoritative.

In the summer of 2013 the Rijksmuseum acquired a rare Late Gothic Christmas Crib (c. 1510-20). In the 15th century tangible aids – devotionalia – were promoted to support meditation, to accomplish as it were a link between God and the soul of the believer.

In the Middle Ages and in the Renaissance, particularly between the thirteenth and the sixteenth century, the most common way of eliminating one’s enemy was by poisoning his food or drink at a banquet.

Using the example of a particular piece of the Lewis Chessmen this paper examines both the benefits and the limitations that come about with the cultural approach and cautions against a too rigid application.

Knowledge of the metalworking and jewellery-making abilities of the Anglo-Saxons has been much enhanced in recent years by metallurgical and other technical studies.

My investigation is set within the context of the current high level of interest in the workings of the late medieval parish.

This paper reassesses the early Anglo-Saxon assemblage from Hardown Hill, Dorset. Wingrave excavated the objects in 1916 but apart from his 1931 report, and Evison’s 1968 analysis, there has been little subsequent discussion.

Wax tablets have been around since ancient times, and now that I’ve made one, I can see why. They’re easy to make, use, and reuse; they’re light and durable; they’re portable; and they have lots of room for making mistakes.

This thesis explores perceptions of two-edged swords as ‘living’ artefacts in Anglo-Saxon England and Scandinavia between c. 500 and 1100.

Here are ten things we learned about medieval drinking horns from Vivian Etting’s book The Story of the Drinking Horn.

This paper took a closer look at Renaissance drinking vessels and drinking culture and examined the types of vessels commonly used in Italy and the Netherlands during the fifteenth and sixteenth centuries.

Bone and antler combs are common finds in medieval northern europe. Two major types occur in the netherlands: the composite comb, usually made of antler, and the longbone comb.

This essay serves as an introduction to Friedrich Ohly’s life and work and offers an analytic orientation to the methodological and historical questions taken up by this special issue of Gesta dedicated to medieval conceptions of significationes rerum (the signification of things).

The Oseberg ship burial is a Viking Age burial mound containing a double female inhumation, which is located in the Oslofjord area in Norway.

By analysing physical remains reflecting the games, behaviour and clothing of children (specifically toys and shoes) it has been possible to obtain new information and shed new light on the everyday life of children in medieval Bergen
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