The J. Paul Getty Museum has opened its latest exhibition, which looks at invention of printing technology in the 15th century gave rise to a rich cross-fertilization between mechanical innovation and painterly tradition.
Leiden University Libraries and Brill Publishers have launched Codices Vossiani Graeci et Miscellanei Online – the digitized collection of famous Greek manuscripts and mixed Greek and Latin manuscripts of Isaac Vossius (1618-1689).
What I want to tell you today is that we are exceptionally fortunate to have as many books as we still do – medieval books have undergone many adventures across the centuries.
There have been various approaches applied to study and understand the nature of the late Medieval book, including historical, palaeographical and codicological methods, and yet, traditionally, little attention has been given to the book as a form of material culture, especially by archaeologists.
The Los Angeles-based museum will be showcasing a wide variety of illuminated manuscripts and printed books from April 30 to July 28, 2019.
Three lectures on medieval manuscripts and digitization by William Noel.
I need to teach you how to read your ABC so we’re going to go back to first principles.
Hundreds of medieval and early modern Greek manuscripts – including classical texts and some of the most important treatises on religion, mathematics, history, drama and philosophy – are to be digitised thanks a collaboration between Cambridge University, Heidelberg University and the Vatican Library.
This month, an exciting connection was made between Islamic and Irish medicine through the discovery of a fragment of Avicenna’s Canon of Medicine bound in a sixteenth-century printed book.
The 1326 marriage contract between Edward III and Philippa of Hainault will be going up for sale at auction later this month. It is expected to be sold for between £100,000-150,000.
The cartulary of the Abbey of Prémontré is well-known amongst scholars of the early history of the Premonstratensian Order, as well as those who study the economic, social, and religious history of southern Picardy in the 12th and 13th centuries.
Professor Julie Cumming and a McGill choir bring a 500-year-old chant manuscript to life.
Christine de Pizan, one of the first women in the West to earn a living by her pen, is increasingly seen as one of the most important thinkers of her time.
A previously undiscovered 15th-century Irish vellum manuscript has revealed an enchanting connection between Gaelic Ireland and the Islamic world, and illustrates how medieval Ireland was once at the centre of medical scholarship in the world.
Following a hugely successful debut, Trinity College Dublin is again running its free online course on the Book of Kells – one of the world’s most famous medieval manuscripts.
In a diverse range of late-fourteenth- and fifteenth-century devotional literature, Christ’s body is metaphorically related to a book or a document at the moment of his crucifixion.
Figuring out the chemical reactions of the components that made writing on paper possible and last for hundreds of years was the aim of the Meridies Medieval History research group.
Episode 2 of The Medieval Podcast – How were books made and used in the Middle Ages? Danièle is joined by Erik Kwakkel, a ‘rockstar’ of the Book History world.
The British Library has released a set of seven videos to look at the process of creating medieval manuscripts.
University of Pennsylvania students pair with visiting scholars to paint illustrations like those in centuries-old illuminated manuscripts.
The J. Paul Getty Museum is hosting a new exhibition starting this month that showcases the medieval word.
Only every once in a while, does enough material remain to truly bring to life a person who is long gone. This is the real deal, and when it comes along, historians, paleographers, and editors alike rejoice.
Pola, who flourished in Rome at the turn of the fourteenth century, tells us three times, in three separate manuscripts, that she is the “daughter of R. Abraham the scribe.”
In this presentation, we will examine how the technological developments of the Digital Library of Medieval Manuscripts (DLMM) are encouraging new kinds of research into the literature, art, and history of 14th and 15th-century France.