
This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.
Where the Middle Ages Begin

This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.

This paper uses the case of fourteenth-century Portugal to question a common assumption of “fiscal history” literature, namely the linear relationship between war-related fiscal demands increase the level of taxation.

This article focuses on Aragonese courtier Hugo de Urriés’s public profile by means of analyzing the critical points derived from examining his personal, political, cultural and historical stands making use of an invaluable primary source, his letter to Fernando the Catholic in the early 1490s.

Philippa Gregory has critiqued gendered representations of Elizabeth Woodville and has stated that her 2009 novel The White Queen fictionalises Woodville’s history with the aim of challenging such depictions.

My latest visit to the Victoria and Albert Musuem: 10 Medieval and Renaissance Things to See at the Victoria and Albert Museum.

If some later medieval males thought the courts were biased, what might the female perspective have been?

This study analyses the responses of Icelandic and English individuals in regards to their views on the Viking image as represented within museums and in society.

This paper was given by Georg Christ and examined embargoes and state formation in the late medieval and early modern period in Venice.

In the late middle ages, the Imperial free city of Metz is firmly in the hands of the patricians: they control its entire government through associations called paraiges – and as the wealth of the city has been relying heavily on their rural possessions since the decline of the commercial role of the city, their leadership is not seriously at risk.
This chapter focuses on the spatial analysis of intra-urban territories which existed in late medieval and early modern Brussels (Belgium). By studying their morphological characteristics and origins, I seek to understand their functions within urban society.

It is hard at times to take the Agincourt Carol entirely seriously. Patriotism of such brash exuberance seems more properly to belong in a brightly lit Laurence Olivier world of mid twentieth-century medievalism than amid the grim and tangled realities of fifteenth- century politics and war.

The History behind the Charles Bridge Built during the reigns of Charles IV (1346-1378) and his son, Wenceslas IV (1363-1419), the Charles Bridge crosses the river Vltava in Prague, joining the Old Town on its eastern side, the commercial hub of the city, and the Hradčany and Malá Strana on the west, where the castle and cathedral are located

The curious phrase lit de justice originated in the fourteenth century and by the first decade of the fifteenth century designated particularly important royal sessions of the Parlement of Paris.

John Hothby’s career as cathedral choirmaster at Lucca is one of the longest, best documented, and most exceptional of any Northern musician active in fifteenth-century Italy.

This study endeavours to discuss the Cistercian monasteries of Leinster with regard to their physical location in the landscape, the agricultural contribution of the monks to the broader social and economic world and the interaction between the cloistered monks and the secular world.

The office of guardianship was clearly needed in the society of sixteenth-century Lithuania. The comparatively short average life expectancy meant that quite a great number of children lost one or both of their parents before reaching majority, and thus had to receive some sort of protection.

The legend was clearly not the only work of popular culture in what I propose as the long fifteenth century, but it does serve as a very useful representation for examining the growth of Englishness.

Throughout the Middle Ages, religious iconography was a main theme of art and the Church heavily patronized works that embodied virtuous ideals. Art was often used as a religious implement in which the Church instructed the illiterate masses. However, art can also represent pain and trauma acting as an outlet for the artist.

In the 14th century, a time of civil wars, religious and dynastic strifes, epidemics, natural disasters and miserable living conditions for the wider strata in the cities and the countryside that increased migratory movements, banditry, an indigenous phenomenon in the Balkan mountainous regions, intermingled with the intensified political struggles.
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