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	<title>Medievalists.net &#187; Hohenstaufen</title>
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		<title>Regnum et sacerdotium in Alsatian Romanesque Sculpture: Hohenstaufen Politics in the Aftermath of the Investiture Controversy (1130-1235)</title>
		<link>http://www.medievalists.net/2013/12/05/regnum-et-sacerdotium-in-alsatian-romanesque-sculpture-hohenstaufen-politics-in-the-aftermath-of-the-investiture-controversy-1130-1235/</link>
		<comments>http://www.medievalists.net/2013/12/05/regnum-et-sacerdotium-in-alsatian-romanesque-sculpture-hohenstaufen-politics-in-the-aftermath-of-the-investiture-controversy-1130-1235/#comments</comments>
		<pubDate>Thu, 05 Dec 2013 23:01:05 +0000</pubDate>
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		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Early Middle Ages]]></category>
		<category><![CDATA[Eleventh Century]]></category>
		<category><![CDATA[Frederick Barbarossa]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[Hohenstaufen]]></category>
		<category><![CDATA[Investiture Controversy]]></category>
		<category><![CDATA[Papacy]]></category>
		<category><![CDATA[Romanesque]]></category>
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		<description><![CDATA[<p>Although no longer preserved today, a series of paintings in the St. Nicholas chapel of the Lateran palace in Rome incurred Frederick Barbarossa’s wrath because they presented his predecessor, King Lothar of Supplinburg (1025-1137), in a submissive position as the pope’s vassal</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/12/05/regnum-et-sacerdotium-in-alsatian-romanesque-sculpture-hohenstaufen-politics-in-the-aftermath-of-the-investiture-controversy-1130-1235/">Regnum et sacerdotium in Alsatian Romanesque Sculpture: Hohenstaufen Politics in the Aftermath of the Investiture Controversy (1130-1235)</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
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