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	<title>Medievalists.net &#187; Hildegard von Bingen</title>
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	<link>http://www.medievalists.net</link>
	<description>Where the Middle Ages Begin</description>
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		<title>Hildegard&#8217;s Cosmos and Its Music: Making a Digital Model for the Modern Planetarium</title>
		<link>http://www.medievalists.net/2015/08/01/hildegards-cosmos-and-its-music-making-a-digital-model-for-the-modern-planetarium/</link>
		<comments>http://www.medievalists.net/2015/08/01/hildegards-cosmos-and-its-music-making-a-digital-model-for-the-modern-planetarium/#comments</comments>
		<pubDate>Sun, 02 Aug 2015 02:17:59 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=60138</guid>
		<description><![CDATA[<p>The work reported on in this talk is a collaborative effort involving forces performative, scholarly, and technological. Because of the way Hildegard describes her understanding of the cosmos in the treatise Scivias, the model unfolds in two acts.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2015/08/01/hildegards-cosmos-and-its-music-making-a-digital-model-for-the-modern-planetarium/">Hildegard&#8217;s Cosmos and Its Music: Making a Digital Model for the Modern Planetarium</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2015/08/01/hildegards-cosmos-and-its-music-making-a-digital-model-for-the-modern-planetarium/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hildegard of Bingen: Authorship and Stylometry</title>
		<link>http://www.medievalists.net/2015/02/18/hildegard-bingen-authorship-stylometry/</link>
		<comments>http://www.medievalists.net/2015/02/18/hildegard-bingen-authorship-stylometry/#comments</comments>
		<pubDate>Thu, 19 Feb 2015 03:48:41 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=56260</guid>
		<description><![CDATA[<p>A documentary based on the article ‘Collaborative Authorship in the Twelfth Century. A Stylometric Study of Hildegard of Bingen and Guibert of Gembloux’</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2015/02/18/hildegard-bingen-authorship-stylometry/">Hildegard of Bingen: Authorship and Stylometry</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Feminine Love in the Twelfth Century – A Case Study: The Mulier in the Lost Love Letters and the Work of Female Mystics</title>
		<link>http://www.medievalists.net/2014/11/10/feminine-love-twelfth-century-case-study-mulier-lost-love-letters-work-female-mystics/</link>
		<comments>http://www.medievalists.net/2014/11/10/feminine-love-twelfth-century-case-study-mulier-lost-love-letters-work-female-mystics/#comments</comments>
		<pubDate>Mon, 10 Nov 2014 11:49:02 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Abelard]]></category>
		<category><![CDATA[Cistercians]]></category>
		<category><![CDATA[Fifteenth Century]]></category>
		<category><![CDATA[Heloise]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Mysticism]]></category>
		<category><![CDATA[Religious Life]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=54037</guid>
		<description><![CDATA[<p>This article compares the twelfth-century writings of the secular mulier in the Lost Love Letters with the work of religious female ‘mystics’ to draw comparisons about the way these authors chose to express love. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/11/10/feminine-love-twelfth-century-case-study-mulier-lost-love-letters-work-female-mystics/">Feminine Love in the Twelfth Century – A Case Study: The Mulier in the Lost Love Letters and the Work of Female Mystics</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hildegard of Bingen</title>
		<link>http://www.medievalists.net/2014/08/06/hildegard-bingen/</link>
		<comments>http://www.medievalists.net/2014/08/06/hildegard-bingen/#comments</comments>
		<pubDate>Thu, 07 Aug 2014 04:07:49 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=51699</guid>
		<description><![CDATA[<p>Hildegard of Bingen stands out as a visionary and strong intellectual power of the Middle Ages. She was a writer letters to people of all rank and standing and of books on subjects ranging from theology to medicine, natural history, poetry and cosmology. She was also a composer, both of words and music. What really makes Hildegard extraordinary is she did this at a time when women rarely did these things.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/08/06/hildegard-bingen/">Hildegard of Bingen</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hildegard of Bingen: A Star Shining in the Dark Ages</title>
		<link>http://www.medievalists.net/2013/09/02/hildegard-of-bingen-a-star-shining-in-the-dark-ages/</link>
		<comments>http://www.medievalists.net/2013/09/02/hildegard-of-bingen-a-star-shining-in-the-dark-ages/#comments</comments>
		<pubDate>Mon, 02 Sep 2013 23:43:21 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Religious Life]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=43357</guid>
		<description><![CDATA[<p>Hildegard took full advantage of these privileges, coupled with cunning strategy, to ascend beyond the limitations imposed by her society.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/09/02/hildegard-of-bingen-a-star-shining-in-the-dark-ages/">Hildegard of Bingen: A Star Shining in the Dark Ages</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2013/09/02/hildegard-of-bingen-a-star-shining-in-the-dark-ages/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contextualizing Hildegard of Bingen&#8217;s Violent and Apocalyptic Imagery</title>
		<link>http://www.medievalists.net/2013/07/03/contextualizing-hildegard-of-bingen%c2%b6s-violent-and-apocalyptic-imagery/</link>
		<comments>http://www.medievalists.net/2013/07/03/contextualizing-hildegard-of-bingen%c2%b6s-violent-and-apocalyptic-imagery/#comments</comments>
		<pubDate>Wed, 03 Jul 2013 14:30:20 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Religious Life]]></category>
		<category><![CDATA[Twelfth Century]]></category>
		<category><![CDATA[Violence]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=41881</guid>
		<description><![CDATA[<p>This essay focuses on the graphic and violent language of Hildegard's visions. I argue that Hildegard drew upon the political and ecclesiastical context in which she lived for her visionary experiences, rather than a fully developed form of salvation history.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/07/03/contextualizing-hildegard-of-bingen%c2%b6s-violent-and-apocalyptic-imagery/">Contextualizing Hildegard of Bingen&#8217;s Violent and Apocalyptic Imagery</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Privileging of Visio over Vox in the Mystical Experiences of Hildegard of Bingen and Joan of Arc</title>
		<link>http://www.medievalists.net/2013/05/25/the-privileging-of-visio-over-vox-in-the-mystical-experiences-of-hildegard-of-bingen-and-joan-of-arc/</link>
		<comments>http://www.medievalists.net/2013/05/25/the-privileging-of-visio-over-vox-in-the-mystical-experiences-of-hildegard-of-bingen-and-joan-of-arc/#comments</comments>
		<pubDate>Sat, 25 May 2013 23:09:20 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hagiography]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Joan of Arc]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Mysticism]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=41365</guid>
		<description><![CDATA[<p>Even  though  medieval  women  mystics  have  enjoyed  increased  attention  in  recent  scholarly  discussion,  a  topic  that  still  has  not  been  tackled  is  the  possible  difference  between  seeing  a  vision  and  hearing  a  voice  during  a  mystical  experience  </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/05/25/the-privileging-of-visio-over-vox-in-the-mystical-experiences-of-hildegard-of-bingen-and-joan-of-arc/">The Privileging of Visio over Vox in the Mystical Experiences of Hildegard of Bingen and Joan of Arc</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2013/05/25/the-privileging-of-visio-over-vox-in-the-mystical-experiences-of-hildegard-of-bingen-and-joan-of-arc/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is truth more interesting than fiction? The conflict between veracity and dramatic impact in historical fiction</title>
		<link>http://www.medievalists.net/2013/01/15/is-truth-more-interesting-than-fiction-the-conflict-between-veracity-and-dramatic-impact-in-historical-fiction/</link>
		<comments>http://www.medievalists.net/2013/01/15/is-truth-more-interesting-than-fiction-the-conflict-between-veracity-and-dramatic-impact-in-historical-fiction/#comments</comments>
		<pubDate>Wed, 16 Jan 2013 02:02:55 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Abelard]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Heloise]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Historiography]]></category>
		<category><![CDATA[Joan of Arc]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Medieval Women]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=38738</guid>
		<description><![CDATA[<p>I do not wish to enlist, on either side, in the battle between historians and novelists. What I would like is to suggest a foray which may at first glance seem a minor skirmish, but which may significantly affect the way in which a writer portrays people who once lived, particularly famous people.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/01/15/is-truth-more-interesting-than-fiction-the-conflict-between-veracity-and-dramatic-impact-in-historical-fiction/">Is truth more interesting than fiction? The conflict between veracity and dramatic impact in historical fiction</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		</item>
		<item>
		<title>The Representation of Antichrist in Hildegard of Bingen&#8217;s Scivias</title>
		<link>http://www.medievalists.net/2013/01/13/the-representation-of-antichrist-in-hildegard-of-bingens-scivias/</link>
		<comments>http://www.medievalists.net/2013/01/13/the-representation-of-antichrist-in-hildegard-of-bingens-scivias/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 01:35:25 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bernard of Clairvaux]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Mysticism]]></category>
		<category><![CDATA[Nuns]]></category>
		<category><![CDATA[Pope Eugenius III]]></category>
		<category><![CDATA[Religious Life]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=38701</guid>
		<description><![CDATA[<p>The image thatis the subjectof this essay is one of thirty-five miniatures that once illuminated the lost Rupertsberg manuscript (Wiesbaden, Hessisches Landesbibl., MS 1, ca. 1165-75), a deluxe copy of Scivias.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/01/13/the-representation-of-antichrist-in-hildegard-of-bingens-scivias/">The Representation of Antichrist in Hildegard of Bingen&#8217;s Scivias</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Satanic Phenomenon: Medieval Representations of Satan</title>
		<link>http://www.medievalists.net/2012/10/30/the-satanic-phenomenon-medieval-representations-of-satan/</link>
		<comments>http://www.medievalists.net/2012/10/30/the-satanic-phenomenon-medieval-representations-of-satan/#comments</comments>
		<pubDate>Wed, 31 Oct 2012 02:46:05 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Dante]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Early Modern]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Halloween]]></category>
		<category><![CDATA[Hildegard von Bingen]]></category>
		<category><![CDATA[Late Middle Ages]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Occult]]></category>
		<category><![CDATA[Paganism]]></category>
		<category><![CDATA[Religious Life]]></category>
		<category><![CDATA[Renaissance]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=36828</guid>
		<description><![CDATA[<p>The ever-evolving, interconnectedness of culture, religion, and superstition make for a truly unique theatrical experience in the middle ages. With limited understanding and access to scripture, medieval Christians generated a blended belief system, in order to make sense of the metaphysical world, which manifests itself in medieval drama‟s representations of Satan.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/10/30/the-satanic-phenomenon-medieval-representations-of-satan/">The Satanic Phenomenon: Medieval Representations of Satan</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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