I will examine current popular fictional and non-fictional works that assert the resurrection of Mary Magdalene, her position in the Christian story and her authority.
Two dozen and more Silkwomen of Fifteenth-Century London
The Queen and her consort : succession, politics and partnership in the kingdom of Navarre, 1274-1512

This thesis draws attention to an exceptional group of sovereigns and demonstrates the important role that these women and their spouses played in the political history of Western Europe during the Late Middle Ages. It also highlights the particular challenges of female rule and offers new modes of analysis by focusing on unique areas of investigation which have not been previously examined
An Examination of the Family in ‘The Tale of Sir Gareth’
Time, consciousness and narrative play in late Medieval secular dream poetry and framed narratives

This thesis proposes to look at the equation between time and text in the later medieval period. Time-telling and tale-telling have a particularly dynamic relationship in the considers time-telling and temporal referencein an era (c.1230 – 1500) that time-measurement multiple cultural experiencesa greatvariety of types of and
attitudes to time.
The Transformative Nature of Gender: The Coding of St. Brigit of Kildare through Hagiography

The Transformative Nature of Gender: The Coding of St. Brigit of Kildare through Hagiography Liliane Catherine Marcil-Johnston Master of Arts, The Department of Theology, Concordia University, Montreal, Quebec, Canada December (2012) Abstract This study examines how gender is portrayed in the hagiographic tradition surrounding St. Brigit of Kildare. In particular, it provides an in-depth look […]
Caught in the (One-)Act: Staging Sex in Late Medieval French Farce

Caught in the (One-)Act: Staging Sex in Late Medieval French Farce Sharon D. King Paper given at the 14th Triennial Colloquium of the Société Internationale pour l’étude du Théâtre Médiéval Poznań, Poland, 22nd – 27th July (2013) Abstract Among the myriad subjects for comical delectation of audiences of late medieval France,the rules and roles of […]
Wild woman and her sisters in medieval English literature
Fasting and the female body : from the ascetic to the pathological
The Chaste Erotics of Marie d’Oignies and Jacques de Vitry

The Chaste Erotics of Marie d’Oignies and Jacques de Vitry Jennifer Brown (Marymount Manhattan College) Journal of the History of Sexuality, Vol. 19, No. 1, January (2010) Abstract IN JACQUES DE VITRY’S THIRTEENTH-CENTURY vita of Marie d’Oignies, the hagiographer, or author of a sacred biography, implicates himself in his knowledge of a priest’s surprising reaction […]
Impregnable friendship : locating desire in the middle English ‘Amis and Amiloun’

Scholarship on Amis and Amiloun has generally been divided into two critical schools. The majority of critics have read the work as an exemplar of perfect friendship, overlooking (or ignoring) any trace of homoeroticism, citing the possibility itself as anachronistic, or explaining away its presence by offering historical or theoretical justification for intimacy among medieval men.
Queen Guinevere. A queen through time

According to Hopkins, “[Arthur’s] queen, Guinevere, is more elusive, less written about [than Arthur and his knights], and yet has been for centuries a central character playing a critical role in the rise and fall of the Round Table” (6). He goes on by characterizing her as “a key figure in the life of Camelot, this remarkable woman is seen variably as scholar, seductress, warrior, and dignified gentle beauty by the countless artists and writers who have depicted her. Who, then, was Guinevere?” (10) The purpose of this essay is to answer this question by looking at different texts and novels referring to the Queen.
Representations of English Women and their Pilgrimages in Twelfth-Century Miracle Collections
Androgynes, Crossdressers, and Rebel Queens: Modern Representations of Medieval Women Warriors from Tolkien to Martin

This was another stellar paper given at the Tales after Tolkien session. It was an intriguing look at the women of Tolkien’s The Lord of the Rings Trilogy and George R. R. Martin’s A Game of Thrones and how each author portrays the mother and warrior characters of Galadriel/Cersi/Daenerys and Eowyn/Arya/Brienne. The paper examined the differences and problems posed by the portrayal of women in theses fantasy novels.




























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