
A summary of a paper given by Professor Christina Lee at the University of Nottingham’s “Making the Medieval Relevant” Conference.
Where the Middle Ages Begin

A summary of a paper given by Professor Christina Lee at the University of Nottingham’s “Making the Medieval Relevant” Conference.

This dissertation argues that masculine identity in the era of the Crusades developed with Christological and martial focus.

This dissertation explores the relationship between grief, cultural constructs of gender, and mourning behaviour in the literatures of medieval Britain, Ireland, Scandinavia, and Iceland

Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…

Prostitution was a vice that was was considered a necessary evil because of “men’s lust”. Ecclesiastics felt that if brothels weren’t available to men in cities, they would find other inappropriate outlets for their entertainment. In an effort to curb potential problems, civic officials permitted prostitution to function within the city walls so long as it was regulated and turned a profit.

“The Middle Ages is a space where White Supremecy is legitimised. The maintenance of white privilege. The gamer community use ‘historical facts’ to legitimise this kind of literacy.’

Is Cersei a collection of bad medieval stereotypes? Have nerds gone mainstream? Were American cowboys a modern retelling of the medieval knight? Put down that comic, put away your bag of dice, and indulge your inner nerd.

Saint Catherine of Alexandria and her wheel have been well recognized symbols since the beginning of the Middle Ages. Here are 10 interesting tidbits about Saint Catherine:

I love to read. I also love books depicted in art. I became fascinated with Medieval and Renaissance pictures of women reading or with books. I noticed while I was walking around the National Gallery, Musèe Cluny and the Louvre recently that there are many beautiful images of women reading or with books. Saints, sinners, and laywomen; I wanted to share a few of my favourites. Here are 20 works of art of women and their books

It’s that time of year again – the mad scramble for the perfect Christmas gift for the historian, nerd, avid reader on your list. Here are a few suggestions for you – new releases for December and January!

While the reliance of the fantasy market on medieval motifs – its reliance on medievalism, to be more precise – is not news, there remain a few thoughts to be articulated about the means by which so many popular female protagonists continue to have staying power and high market value within particular systems of power, systems familiar to the medievalist even when decontextualized, displaced and relocated elsewhere in the space–time continuum of the imagination.

I recently visited the British Museum and enjoyed their Witches and Wicked Bodies exhibit which runs until January 11th, 2015. It displays art depicting witches from the middle ages up to the late nineteenth century. This post looks at a few late medieval interpretations of witches and the artists behind these works.

This chapter will analyse an aspect of one of the divorce cases of the mid 9th century: I review its links with politics of the day and reconsider the roles given to wife and husband in the only text that deals with this case…

This paper investigates the social, political, and religious changes and tensions which surrounded the cult of St. Cuthbert in medieval Northumbria. Specific comparisons are made between the Anglo-Saxon and Norman periods in English history, and how St. Cuthbert’s cult responded to the Norman Conquest in 1066.

In 1482, Catharina Arndes lifted up her skirts in front of the archbishop’s chaplain. She was a respectable townswoman from Hamburg, and her action was carried out in defense of the Cistercian monastery of Harvestehude which was close to the city and where several of Catharina’s nieces lived as nuns.

An examination of the lives of the transvestite saints whose legends and myths help set Western attitudes toward transvestism.

This study scrutinizes a work within a neglected portion of Botticelli’s oeuvre, examining the ways in which its modest, and somewhat ambiguous, visual cues also construct its sitter’s elevated social identity, while simultaneously protecting it.

Beowulf is one of many examples of a story that employs the rhetoric of the hero. The plight of the main character Beowulf is the focus of the tale, and the tasks that he must overcome throughout the course of the poem provide insight into the development of the character of the hero.

This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.

This article focuses on Aragonese courtier Hugo de Urriés’s public profile by means of analyzing the critical points derived from examining his personal, political, cultural and historical stands making use of an invaluable primary source, his letter to Fernando the Catholic in the early 1490s.

Philippa Gregory has critiqued gendered representations of Elizabeth Woodville and has stated that her 2009 novel The White Queen fictionalises Woodville’s history with the aim of challenging such depictions.

If some later medieval males thought the courts were biased, what might the female perspective have been?
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