Prostitution was a vice that was was considered a necessary evil because of “men’s lust”. Ecclesiastics felt that if brothels weren’t available to men in cities, they would find other inappropriate outlets for their entertainment. In an effort to curb potential problems, civic officials permitted prostitution to function within the city walls so long as it was regulated and turned a profit.
I love to read. I also love books depicted in art. I became fascinated with Medieval and Renaissance pictures of women reading or with books. I noticed while I was walking around the National Gallery, Musèe Cluny and the Louvre recently that there are many beautiful images of women reading or with books. Saints, sinners, and laywomen; I wanted to share a few of my favourites. Here are 20 works of art of women and their books
While the reliance of the fantasy market on medieval motifs – its reliance on medievalism, to be more precise – is not news, there remain a few thoughts to be articulated about the means by which so many popular female protagonists continue to have staying power and high market value within particular systems of power, systems familiar to the medievalist even when decontextualized, displaced and relocated elsewhere in the space–time continuum of the imagination.
I recently visited the British Museum and enjoyed their Witches and Wicked Bodies exhibit which runs until January 11th, 2015. It displays art depicting witches from the middle ages up to the late nineteenth century. This post looks at a few late medieval interpretations of witches and the artists behind these works.
In 1482, Catharina Arndes lifted up her skirts in front of the archbishop’s chaplain. She was a respectable townswoman from Hamburg, and her action was carried out in defense of the Cistercian monastery of Harvestehude which was close to the city and where several of Catharina’s nieces lived as nuns.