
Here are a few recent releases for medievalists hunting for Black Friday books and early Christmas gifts!
Where the Middle Ages Begin

Here are a few recent releases for medievalists hunting for Black Friday books and early Christmas gifts!

I therefore decided to apply what I knew about tax policy—the only subject on which I was conversant and which seemed remotely relevant—to Florence in the days of the Medici, and see what happened.

The scope of the present article is to analyze the activity of these merchant companies through various sources housed by the Florentine National Archives and place them in the context of Florentine long distance trade.

Machiavelli and Botticelli are set to hit screens in 2016. We sat down to chat with Italian director, Lorenzo Raveggi about his two ambitious projects.

The 3 papers featured here looked at the development of the civic identities of Florence, Genoa and Rome through art, architecture and foundation legends.

I love to read. I also love books depicted in art. I became fascinated with Medieval and Renaissance pictures of women reading or with books. I noticed while I was walking around the National Gallery, Musèe Cluny and the Louvre recently that there are many beautiful images of women reading or with books. Saints, sinners, and laywomen; I wanted to share a few of my favourites. Here are 20 works of art of women and their books

If you’re an ancient historian, a medievalist, or early modernist, there are so many other amazing pieces and works of art a the Louvre other than these two tourist staples. Here is my list of cool, creepy, unusual and better than the Mona Lisa at the Louvre in Paris.

At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.

In 1493 the well-known and controversial Franciscan preacher Bernardino of Feltre gave a series of Lenten sermons to the people of Pavia. On March 11 he dedicated an entire sermon to the necessity of contrition—or perfect sorrow over sin—in the rite of confession.

This article examines the changing political landscape of Medicean Florence, from Cosimo de’ Medici (1389-1464) to his grandson Lorenzo the Magnificent (1449-1492), through the letters of the celebrated neo-Platonist philosopher Marsilio Ficino (1433-99).

This study scrutinizes a work within a neglected portion of Botticelli’s oeuvre, examining the ways in which its modest, and somewhat ambiguous, visual cues also construct its sitter’s elevated social identity, while simultaneously protecting it.

This paper employs a unique, hand-collected dataset of exchange rates for five major currencies (the lira of Barcelona, the pound sterling of England, the pond groot of Flanders, the florin of Florence and the livre tournois of France) to consider whether the law of one price and purchasing power parity held in Europe during the late fourteenth and early fifteenth centuries.

Although outwardly the regime respected the institutions of communal Florence and republican formalities, real power in the state supposedly resided in the hands of a narrow group of families.

My interpretation of Machiavelli’s use of Borgia highlights the biblical resonances of Machiavelli’s account of the rise and fall of this exemplary new prince—a prince whom both his subjects and the Florentine himself call by the exalted title “Duke Valentino.”

The theme of this paper is the use of ecclesiastical properties as sites of theatrical violence, and violence as a major element in the complex discourse between powerful rural lords and the Florentine commune.

Put down the Godfather, turn off the Sorpanos, and check out the real Italian families of Medieval and Renaissance Italy!

Workers doing renovations at the Uffizi Gallery in Florence, Italy have uncovered what seems to be the remains of a mass grave from the fifth-century AD.

Cassone and spalliere panels depicting the Old Testament Book of Esther were produced by a number of Florentine artists during the fifteenth century.

Probably the only natural philosopher of the Middle Ages to be burnt at the stake at the behest of the Church was one Francisco degli Stabili (c. 1269 – 1327) in Florence in late 1327.

No list of the outstanding Gothic monuments of Europe could fail to include the Cathedral of Florence, yet its place in medieval architecture remains anomalous. Anomalous above all is its unprecedented design, which integrates a rib-vaulted basilica, a domed octagon, and a triconch of fifteen extruded chapels.

The consequences of that first economic crisis, in the ensuing transformation of the Florentine cloth industry, contained the very seeds that spawned the second and far more major crisis, which led to the inexorable downfall of this once majestic industry, by the early fifteenth century.
Copyright © 2015 · Magazine Theme on Genesis Framework · WordPress · Log in
How you can Follow Us!