
The synopsis is quite simple: a boy has some homework to complete about the life of the king. He daydreams, transforms his parents as the king and one of his queens …
Where the Middle Ages Begin

Examining the Middle Ages through modern eyes: movies, TV, stage, tourism and books. How do we perform the Middle Ages?

An independent feature film of William Shakespeare’s Macbeth starring Sean Bean, Rupert Grint and Charles Dance has almost raised half of the $250 000 they are seeking on the crowd-funding website Kickstarter.

This paper combines archaeological attention to the past (the Vikings and their material culture, beliefs and so on and a Žižekian fascination with Hollywood films to examine How to Train Your Dragon (2010), a 3-D animated film about Vikings for children.

Was it really just a sports movie set in the past? Yes. Was it edited until the plot seems a little less-than-coherent? Yes. But are there things we can love about it? Absolutely.

However, though there are more people of color in Arthurian film and television productions, progress toward inclusivity has not been quick or simple to achieve.

Dans l’imaginaire contemporain, Apocalypse et Moyen âge semblent aller de pair. Rares sont les films médiévalistes où il n’est pas question de fin du monde, où qui ne représente pas une société en plein déclin, au bord de sa propre destruction.

What Braveheart showed was a parody of an archery barrage which, in fact, would be fairly continuous until most of the arrows available, about forty to each bowman, had been shot. Nor would there be longish pauses between single flights of arrows, in perhaps a sporting spirit in order to give the Scots time to recover their spirits and dress their ranks in time for the next hail of missiles, or, in the film, to bare their arses in vulgar mockery of their enemies.

Movies about the European Middle Ages are profoundly modern creations. They tend to reflect the anxieties and preoccupations of their modern creators rather than those of people who lived a thousand years ago.

The object of this paper is to give a brief outline of the life of William Wallace, and to make references in passing to the film, Braveheart, loosely based on the life of William Wallace, starring the Australian actor Mel Gibson.

While the first film was mostly criticized for its divergences from the novel, in this second instalment they usually prove to be an improvement.

King Arthur is a well known character of literature and film, and any person on the street could probably recall many aspects of his story. However, the story that so many people know and love is the result of hundreds of years of transformation and manipulation of a legend. It did not begin with much grandiosity or with very much background information.

Cutting and Running from the (Medieval) Middle East: The Mises-hors-scène of Kingdom of Heaven’s Double DVDs Richard Burt 15 | 2007 : Le Moyen Âge mis en scène : perspectives contemporaines Abstract “There is no escaping the parallels with our time, when leaders who try to make peace are admired, but their efforts are subverted by […]

Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies Richard Burt (Guest Co-Editor, University of Florida) EXEMPLARIA: VOL. 19, NO. 2, SUMMER 2007, 217 – 242 Abstract This introduction examines how historical effects in cinematic medievalism are produced through analogies between their shared marginal paratexts, including historiated letters, prefaces, opening title sequences, film prologues, and intertitles. […]

Manifestations of the Grotesque and Carnivalesque Body in Ingmar Bergman’s The Seventh Seal Brian Gourley (School of English, Queen’s University Belfast)Queen’s University Belfast, Quest, Vol.1 (2006) Abstract Ingmar Bergman’s 1957 film The Seventh Seal (Det Sjunde Inseglet) remains arguably his best-known work. If one talks of the existence of a genre of medieval film, and subsequently, the […]
Copyright © 2015 · Magazine Theme on Genesis Framework · WordPress · Log in
How you can Follow Us!