Must actors of color be portrayed as the “Other” when (or if) given roles in films made in the West about the European Middle Ages?
Together with hazardous quests, plagues, peasant squalor, witches, trials by ordeal, and makeshift projectiles (including catapulted livestock and annoying monosyllables), dismemberment in Monty Python’s dark Arthurian world is a commonplace
With dozens of adaptations of the medieval tale of Robin Hood in film, could this latest one offer viewers something new? More importantly, is it any good?
By calling into question the trustworthiness of the historical record, this scene, from the 2011 film
Ironclad directed by Jonathan English, could be the filmmaker’s pre-emptive strike against those who
would criticize a film’s historical accuracy
Although it sticks to the medieval film playbook – mud, blood, and a bit of romance – it’s in the details that Outlaw King stands out, giving Robert the Bruce’s fight for independence a uniquely Scottish air.
Why does Hollywood keep making Robin Hood and King Arthur movies even though no one cares about them?
Embroidery has been used in medieval film as a means by which the main female character reclaims her autonomy.
This paper observes and researches the relations between symbolic unicorn representation in Ridley Scott’s movies Blade Runner and Legend comparing it to the medieval bestiary descriptions and representations.
Making a medieval movie is a difficult task. Natalie Anderson discusses why, in her opinion, one of the best films set during the Middle Ages is 2001’s A Knight’s Tale.
Cinema is not, of course, a medieval cultural form but its evolutionary trajectory can perhaps be seen as rooted in aspects of medieval material culture, particularly the plastic arts, manuscript illumination and printing and the performing arts, particularly religious drama with its propensity for movement.
King Arthur: Legend of the Sword premiered May 2017 MAN CANDY ALERT! When I sat down to watch “King Arthur” over this past…
In between the exciting chases, hand-to-hand combat, and surprisingly well-acted dialogue, the overall film drags with too many flat moments of the lead actors staring into the camera or watching something happening from afar.
Horror just got medieval! An Australian filmmaker is set to expand a short film about crusaders fighting zombies, hoping to create a web series. A fundraising campaign is now underway to give Black Crusade the chance to unleash its undead horde.
Since a castle is its corporate logo, we should hardly be surprised that castles, as well as other elements of medieval architecture, figure prominently in a host of classic-era Disney films.
What do you get when you mix Burt Reynolds, Jason Statham, Ray Liotta and Ron Perlman in a movie together? You get a horrible movie. Those worlds are never meant to collide, and never in a fantasy movie.
A Templar and a Muslim; their strange friendship is the premise of this week’s movie based in the 12th century immediately after the disastrous Battle of Hattin.
This week’s medieval movie is Northmen: A Viking Saga.
This week, we have the retelling of the epic Arthurian romance of Sir Gawain and the Green Knight in this 1984 fantasy reboot.
Another weekend, another medieval movie! This week, I review “The Four Warriors”.
My review of this disappointing venture featuring Clive Owen and Morgan Freeman.
So bad, it’s good. If you’re looking for a medieval movie to watch and a laugh, The Magic Sword might be for you!
As I explore how Disney medievalized nature, I also explore how Snow White and Sleeping Beauty, in a small but significant way, participated in mid-twentieth-century discourses on the environment.
Macbeth opened in October in London to critical acclaim. The movie is being released today in Canada and the US.
A summary of a paper given by Professor Christina Lee at the University of Nottingham’s “Making the Medieval Relevant” Conference.