Horror just got medieval! An Australian filmmaker is set to expand a short film about crusaders fighting zombies, hoping to create a web series. A fundraising campaign is now underway to give Black Crusade the chance to unleash its undead horde.
Since a castle is its corporate logo, we should hardly be surprised that castles, as well as other elements of medieval architecture, figure prominently in a host of classic-era Disney films.
What do you get when you mix Burt Reynolds, Jason Statham, Ray Liotta and Ron Perlman in a movie together? You get a horrible movie. Those worlds are never meant to collide, and never in a fantasy movie.
A Templar and a Muslim; their strange friendship is the premise of this week’s movie based in the 12th century immediately after the disastrous Battle of Hattin.
This week’s medieval movie is Northmen: A Viking Saga.
This week, we have the retelling of the epic Arthurian romance of Sir Gawain and the Green Knight in this 1984 fantasy reboot.
Another weekend, another medieval movie! This week, I review “The Four Warriors”.
My review of this disappointing venture featuring Clive Owen and Morgan Freeman.
So bad, it’s good. If you’re looking for a medieval movie to watch and a laugh, The Magic Sword might be for you!
As I explore how Disney medievalized nature, I also explore how Snow White and Sleeping Beauty, in a small but significant way, participated in mid-twentieth-century discourses on the environment.
Macbeth opened in October in London to critical acclaim. The movie is being released today in Canada and the US.
Making the Medieval Relevant: Crossing Boundaries: Interdisciplinary Studies on Disease and Disability
A summary of a paper given by Professor Christina Lee at the University of Nottingham’s “Making the Medieval Relevant” Conference.
This week, historians around the world are gearing up to commemorate the 600th anniversary of the Battle of Agincourt, one of the most significant battles of the Hundred Year’s War.
Kenneth Branagh’s film of Henry V, released in 1989, was greeted with wide critical acclaim of a kind which repays close attention.
This paper explores how embroidery has been used in films to establish, and often destroy, feminine space and autonomy. However, the most recent addition to the medieval film canon represents a distinct change in this trend.
The essay begins with a negative image of a medieval scene in Monty Python and the Holy Grail, which is used to point out that the scene is a knowing parody rather than founded on a genuine belief in an unmitigatedly dark age
Secret Gestures and Silent Revelations: The Disclosure of Secrets in Selected Arthurian Illuminated Manuscripts and Arthurian Films
This paper explores visual language and iconic systems central to the representation of the Arthurian cycle in thirteenth and fifteenth century Gothic illuminated manuscripts and in two Arthurian films; its focus is the theme of courtly love and crucial revelations of the secret or hidden.
Machiavelli and Botticelli are set to hit screens in 2016. We sat down to chat with Italian director, Lorenzo Raveggi about his two ambitious projects.
Late 16th century Venice, where a woman can be a nun, a wife or a courtesan. For Veronica Franco, the free spirited girl scorned by because of her lack of wealth, the choice is an obvious one…
As far as medieval movies go, Tristan and Isolde definitely isn’t the worst I’ve seen. I was looking for a movie to watch after work, and I thought, hey, James Franco, Sophia Moyles, Henry Cavill, and Rufus Sewell, all directed by Ridley Scott?! – this can’t be that bad. Well, it was pretty bad, but it wasn’t the worst 2 hours of my life. So what went wrong?
Hayao Miyazaki’s films always present vibrant worlds full of lush, colorful landscapes, characters, and fantastic, even mythic adventures.
All four films entirely reject the setting for the legend given by the early/scholarly tradition. All four are set firmly and unmistakably in or just after the reign of Richard I (1189-99), either during Richard’s absence on Crusade, or (Marian alone) just after his death at Chaluz.
When the people behind Knights of Badassdom wanted us to promote the film, I asked if they wanted us to review it. They said no. After watching it, I can understand why.
This adaption of Shakespeare’s tragedy stars Michael Fassbender, with Marion Cotillard portraying his wife, Lady Macbeth.