Susan Signe Morrison’s book, “A Medieval Woman’s Companion” brings the contributions of medieval women, famous and obscure, to the forefront in this fantastic introductory text.
The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).
The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.
This essay takes issue with a still common tendency to read contemporary criticisms of powerful women as straightforward evidence of their “unpopularity,” using as a cast study Isabeau of Bavaria (1371-1435), who was generally imagined to have suffered the scorn of her contemporaries.
Importantly, the dietary practices of the early Christians cannot be understood as a single corpus of ideas or practices. It could mean going without food altogether, as in the case of one of the desert fathers, Simeon Stylites, who ate nothing for the whole of lent.
The origins of the Beguines can be traced to two important medieval religious reform movements: monastic mysticism and the vita apostolica, or “apostolic life.”
En/gendering representations of childbirth in fifteenth-century Franco-Flemish devotional manuscripts
Late-medieval representationsof the births of holy and heroic children invariably show a domestic interior with the new mother lying in bed attended
by female assistants.These images thus appearto show a `genderedspace’ in which women cared for each other and from which men were marginalized.
This dissertation builds upon the work of feminist medievalists and other literary and cultural scholars to argue that sight, and objects that are seen, articulate love relationships between characters in medieval romances, and that seeing is frequently a locus of resistance to gender norms the texts both establish and refuse to accept.
The Wife is characterized by a preoccupation with sex, which she uses to manipulate her husbands, of which she has had five, into acquiescing their land and money to her control.
This thesis seeks to explore the construction and conceptualization of the Byzantine imperial feminine, up until the sixth century AD.
The True Characters of Criseyde and of Diomede in Chaucer’s Troilus and Criseyde: A Restoration of the Reputations of Two Misunderstood Characters Unjustly Maligned in Literary Criticism
This is a defence of the characters of Criseyde and of Diomede based, inter alia, on a close textual analysis.
Chaucer’s characters take part in a story-telling contest while going on the pilgrimage. Among them, the Wife of Bath is an outstanding woman who seems not to be a typical figure in the medieval times.