Scandinavian late Viking Age art styles as a part of the visual display of warriors in 11th-century Estonia
Artefacts decorated in Scandinavian Late Viking Age art styles have been known for a long time in the Estonian archaeological material, and were first published as early as 1914 by Max Ebert; a more comprehensive overview was given in 1929 by Birger Nerman. The finds include silver-plated and sometimes partially gilded weapons, as well as belt and scabbard fittings, plaques, and only a few pieces of jewellery.
Coptic Dress In Egypt: The Social Life Of Medieval Cloth
Coptic textiles in most collections present a very rich iconography, somewhat derived from classical traditions, which has also attracted the attention of art historians. Very little of their work, however, has made any headway in our understanding of the contemporaneous meanings of Coptic textile images and other decorations.
Chaucer’s costume rhetoric in his portrait of the Prioress
No critic has ever discussed costume signs in order to reveal to what extent the Prioress does or does not conform in her costume to the fourteenth century norm, with consideration given, simultaneously, to the historical records, literature and visual arts of the period that form and inform the signs from the many traditions Chaucer in corporates in his portrait of the Prioress.
Cultural Identity and Dress: The Case of Late Byzantine Court Costume
At the earliest stages of its development, ceremonial costume was often a more ornate and luxurious version of contemporary attire. It’s use in a ritual context, however, resulted in its becoming imbued with a symbolic significance, a significance that epitomized the political and religious ideology of the state in general and the self perception of the ruling class in particular.
Scissors or Sword? The Symbolism of a Medieval Haircut
Simon Coates explores the symbolic meanings attached to hair in the early medieval West, and how it served to denote differences in age, sex, ethnicity and status.
Maculate Conceptions
For the greater part of human history…disease has been understood in terms of its manifestations on the outside of the body. more than any other sign, t has been spots that have signified the onset of disease…
Fashioning Change: The Trope of Clothing in High- and Late-Medieval England
Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England, Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience.
“Well Cut through the Body:” Fitted Clothing in Twelfth·Century Europe
Before we go any farther, we should investigate the very practical suggestion that tightly fitted clothing resulted from developments in “cutting and sewing technology.” In the case of twelfth century Europe, however, it seems there was no real change in the tools of the trade; for example, iron shears, which might seem primitive, continued to be used by tailors into the late middle ages.
‘í litklæðum’ – Coloured Clothes in Medieval Scandinavian Literature and Archaeology
What do we mean by ‘coloured clothes’? Or rather, what did the saga writers mean by their term litklæði?