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	<title>Medievalists.net &#187; Drama</title>
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	<description>Where the Middle Ages Begin</description>
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		<title>The City of York and its &#8216;Play of Pageants&#8217;</title>
		<link>http://www.medievalists.net/2010/06/11/the-city-of-york-and-its-play-of-pageants/</link>
		<comments>http://www.medievalists.net/2010/06/11/the-city-of-york-and-its-play-of-pageants/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 18:48:09 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=8522</guid>
		<description><![CDATA[
			
				
			
		
The City of York and its &#8216;Play of Pageants&#8217;
By Peter Meredith
Early Theatre, Vol 3 (2000)
Abstract:  This paper first presents a brief overview of York&#8217;s physical growth and status as a mercantile city and a county in its own right, and its relationships with the monarchy as they appear in royal entries. It then moves [...]


Related posts:<ol><li><a href='http://www.medievalists.net/2008/09/30/the-accounts-of-the-medieval-paternoster-gild-of-york/' rel='bookmark' title='Permanent Link: The Accounts of the Medieval Paternoster Gild of York'>The Accounts of the Medieval Paternoster Gild of York</a></li>
<li><a href='http://www.medievalists.net/2010/01/01/the-significance-of-the-eucharist-scenes-in-the-croxton-play-of-the-sacrament/' rel='bookmark' title='Permanent Link: The Significance of the Eucharist Scenes in the Croxton Play of the Sacrament'>The Significance of the Eucharist Scenes in the Croxton Play of the Sacrament</a></li>
<li><a href='http://www.medievalists.net/2008/09/30/impersonators-in-the-market-merchants-and-the-premodern-nation-in-the-croxton-play-of-the-sacrament/' rel='bookmark' title='Permanent Link: Impersonators in the Market: Merchants and the Premodern Nation in the Croxton Play of the Sacrament'>Impersonators in the Market: Merchants and the Premodern Nation in the Croxton Play of the Sacrament</a></li>
</ol>]]></description>
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		<title>Medievalism and Joan Grigsby’s The Orchid Door</title>
		<link>http://www.medievalists.net/2010/01/06/medievalism-and-joan-grigsby%e2%80%99s-the-orchid-door/</link>
		<comments>http://www.medievalists.net/2010/01/06/medievalism-and-joan-grigsby%e2%80%99s-the-orchid-door/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 20:27:18 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Celtic]]></category>
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		<category><![CDATA[Medievalism]]></category>
		<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=6346</guid>
		<description><![CDATA[
			
				
			
		
Medievalism and Joan Grigsby’s The Orchid Door
Brother Anthony
Medieval and Early Modern English Studies, Volume 17 No. 1 (2009)
Abstract
The Celtic revival of the 1890s and the opening years of the 20th century was marked by a series of works, poems, fiction and dramas, published under the name of Fiona MacLeod, supposedly a peasant woman living in [...]


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<li><a href='http://www.medievalists.net/2009/04/23/beyond-historical-accuracy-a-postmodern-view-of-movies-and-medievalism/' rel='bookmark' title='Permanent Link: Beyond Historical Accuracy: A Postmodern View of Movies and Medievalism'>Beyond Historical Accuracy: A Postmodern View of Movies and Medievalism</a></li>
<li><a href='http://www.medievalists.net/2009/01/19/reconstructing-the-middle-ages-gaston-paris-and-the-development-of-nineteenth-century-medievalism/' rel='bookmark' title='Permanent Link: Reconstructing the Middle Ages: Gaston Paris and the Development of Nineteenth-century Medievalism'>Reconstructing the Middle Ages: Gaston Paris and the Development of Nineteenth-century Medievalism</a></li>
</ol>]]></description>
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		<title>Commentary: Troubling “Troubling Gender and Genre in The Trials and Joys of Marriage”</title>
		<link>http://www.medievalists.net/2010/01/01/commentary-troubling-%e2%80%9ctroubling-gender-and-genre-in-the-trials-and-joys-of-marriage%e2%80%9d/</link>
		<comments>http://www.medievalists.net/2010/01/01/commentary-troubling-%e2%80%9ctroubling-gender-and-genre-in-the-trials-and-joys-of-marriage%e2%80%9d/#comments</comments>
		<pubDate>Sat, 02 Jan 2010 02:30:57 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=6183</guid>
		<description><![CDATA[
			
				
			
		
Commentary: Troubling “Troubling Gender and Genre in The Trials and Joys of Marriage”
Lee, Jongsook
Medieval English Studies, vol. 11 (2003) No. 1 
Abstract
Thank you for your wonderful lecture. I wish I could just say that by way of response, and leave you alone. But since I have to perform my own part, as you just have [...]


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</ol>]]></description>
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		</item>
		<item>
		<title>Troubling Gender and Genre in The Trials &amp; Joys of Marriage</title>
		<link>http://www.medievalists.net/2010/01/01/troubling-gender-and-genre-in-the-trials-joys-of-marriage/</link>
		<comments>http://www.medievalists.net/2010/01/01/troubling-gender-and-genre-in-the-trials-joys-of-marriage/#comments</comments>
		<pubDate>Sat, 02 Jan 2010 02:09:25 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=6180</guid>
		<description><![CDATA[
			
				
			
		
Troubling Gender and Genre in The Trials &#38; Joys of Marriage
Salisbury, Eve
Medieval and Early Modern English Studies, vol. 11 (2003) No. 1

 Abstract

The subject of gender has been the focus of a considerable amount of scholarship in the West in the last fifteen years. Feminist medievalists in particular have done much to disclose the dynamics [...]


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<li><a href='http://www.medievalists.net/2010/01/17/gender-and-the-literate-culture-of-late-medieval-england/' rel='bookmark' title='Permanent Link: Gender and the literate culture of late medieval England'>Gender and the literate culture of late medieval England</a></li>
</ol>]]></description>
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		<item>
		<title>The Significance of the Eucharist Scenes in the Croxton Play of the Sacrament</title>
		<link>http://www.medievalists.net/2010/01/01/the-significance-of-the-eucharist-scenes-in-the-croxton-play-of-the-sacrament/</link>
		<comments>http://www.medievalists.net/2010/01/01/the-significance-of-the-eucharist-scenes-in-the-croxton-play-of-the-sacrament/#comments</comments>
		<pubDate>Fri, 01 Jan 2010 17:38:43 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
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		<category><![CDATA[Ecclesiastical History]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=6141</guid>
		<description><![CDATA[
			
				
			
		
The Significance of the Eucharist Scenes in the Croxton Play of the Sacrament
Kang, Ji-Soo
Medieval English Studies, vol 9. (2001) No. 2
Abstract
Over the years much of the critical attention given to the Croxton Play of the Sacrament was merely for its historical significance, typically as a &#8220;rare specimen of the early drama&#8221; (Brook, 29).  That [...]


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<li><a href='http://www.medievalists.net/2010/09/04/poverty-and-richly-decorated-garments-a-re-evaluation-of-their-significance-in-the-vita-christi-of-isabel-de-villena/' rel='bookmark' title='Permanent Link: Poverty and richly decorated garments : a re-evaluation of their significance in the Vita Christi of Isabel de Villena'>Poverty and richly decorated garments : a re-evaluation of their significance in the Vita Christi of Isabel de Villena</a></li>
</ol>]]></description>
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		<item>
		<title>Christ as a Worker in the Towneley Conspiracy</title>
		<link>http://www.medievalists.net/2009/12/19/christ-as-a-worker-in-the-towneley-conspiracy/</link>
		<comments>http://www.medievalists.net/2009/12/19/christ-as-a-worker-in-the-towneley-conspiracy/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 19:18:57 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=5629</guid>
		<description><![CDATA[
			
				
			
		
Christ as a Worker in the Towneley Conspiracy
Gusick, Barbara I.
Essays in Medieval Studies, vol. 9 (1992)
Abstract
 As a central character in the Corpus Christi plays, Christ has generated surprisingly little controversy among scholars of medieval drama. Certainly researchers have approached Christ from a variety of vantage points, attempting to determine whether he is more human [...]


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<li><a href='http://www.medievalists.net/2009/12/03/woman-as-termagant-in-the-towneley-cycle/' rel='bookmark' title='Permanent Link: Woman as Termagant in The Towneley Cycle'>Woman as Termagant in The Towneley Cycle</a></li>
<li><a href='http://www.medievalists.net/2009/12/22/mysticism-meditation-and-identification-in-the-book-of-margery-kempe/' rel='bookmark' title='Permanent Link: Mysticism, Meditation, and Identification in The Book of Margery Kempe'>Mysticism, Meditation, and Identification in The Book of Margery Kempe</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>Woman as Termagant in The Towneley Cycle</title>
		<link>http://www.medievalists.net/2009/12/03/woman-as-termagant-in-the-towneley-cycle/</link>
		<comments>http://www.medievalists.net/2009/12/03/woman-as-termagant-in-the-towneley-cycle/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 02:53:53 +0000</pubDate>
		<dc:creator>Sandra Sadowski</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[England]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=5244</guid>
		<description><![CDATA[
			
				
			
		
Woman as Termagant in The Towneley Cycle
Freier, Mary P.
Essays in Medieval Studies, vol. 2 (1985)
Abstract
The woman characters in the cycle plays are usually interpreted as termagants or saints, and the quality of these characterizations is usually denigrated as merely stereotypical, with the emphasis on presenting women negatively. However, a close and dispassionate reading of the [...]


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<li><a href='http://www.medievalists.net/2008/12/12/abuse-and-authority-in-the-chester-cycle-a-socially-based-discourse/' rel='bookmark' title='Permanent Link: Abuse and authority in the Chester cycle: A socially-based discourse'>Abuse and authority in the Chester cycle: A socially-based discourse</a></li>
<li><a href='http://www.medievalists.net/2009/12/03/thomass-doctrine-of-woman-and-thirteenth-century-thought/' rel='bookmark' title='Permanent Link: Thomas&#8217;s Doctrine of Woman and Thirteenth-Century Thought'>Thomas&#8217;s Doctrine of Woman and Thirteenth-Century Thought</a></li>
</ol>]]></description>
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		<title>The medieval construct of demonic evil: an inverted incarnation</title>
		<link>http://www.medievalists.net/2009/04/12/the-medieval-construct-of-demonic-evil-an-inverted-incarnation/</link>
		<comments>http://www.medievalists.net/2009/04/12/the-medieval-construct-of-demonic-evil-an-inverted-incarnation/#comments</comments>
		<pubDate>Sun, 12 Apr 2009 20:52:23 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
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		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Low Countries]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=2830</guid>
		<description><![CDATA[
			
				
			
		
The medieval construct of demonic evil: an inverted incarnation
By Margaret Raftery
Acta Academica, Vol. 39:2 (2007)
Abstract: This article explores the concept of inversion as an essential ingredient in the medieval understanding of Good and Evil. It argues that demonic evil is often, but here specifically in the Dutch rederijker drama Mariken van Nieumeghen, constructed and represented as an [...]


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<li><a href='http://www.medievalists.net/2009/02/21/the-use-of-imagination-emotion-and-the-will-in-a-medieval-classic-the-meditaciones-vite-christi/' rel='bookmark' title='Permanent Link: The Use of Imagination, Emotion, and the Will in a Medieval Classic: The Meditaciones Vite Christi'>The Use of Imagination, Emotion, and the Will in a Medieval Classic: The Meditaciones Vite Christi</a></li>
</ol>]]></description>
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		<title>Playing a Part in History: The York Mysteries, 1951–2006</title>
		<link>http://www.medievalists.net/2009/03/03/playing-a-part-in-history-the-york-mysteries-1951%e2%80%932006/</link>
		<comments>http://www.medievalists.net/2009/03/03/playing-a-part-in-history-the-york-mysteries-1951%e2%80%932006/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 14:26:08 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[2009 Books]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=2555</guid>
		<description><![CDATA[
			
				
			
		
Playing a Part in History: The York Mysteries, 1951–2006
By Margaret Rogerson
University of Toronto Press, 2009
ISBN: 9870802099242
The York Mystery Plays are a cycle of originally performed on wagons in the city. They date from the fourteenth century and Biblical narrative from Creation to Last Judgment. After nearly four hundred years without a performance, a revival of [...]


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<li><a href='http://www.medievalists.net/2008/10/12/the-liturgical-drama-in-medieval-spain/' rel='bookmark' title='Permanent Link: The Liturgical Drama in Medieval Spain'>The Liturgical Drama in Medieval Spain</a></li>
<li><a href='http://www.medievalists.net/2010/06/11/the-city-of-york-and-its-play-of-pageants/' rel='bookmark' title='Permanent Link: The City of York and its &#8216;Play of Pageants&#8217;'>The City of York and its &#8216;Play of Pageants&#8217;</a></li>
</ol>]]></description>
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		<item>
		<title>The Role of Music in Medieval Shepherds’ Plays</title>
		<link>http://www.medievalists.net/2008/12/26/the-role-of-music-in-medieval-shepherds%e2%80%99-plays/</link>
		<comments>http://www.medievalists.net/2008/12/26/the-role-of-music-in-medieval-shepherds%e2%80%99-plays/#comments</comments>
		<pubDate>Fri, 26 Dec 2008 07:22:26 +0000</pubDate>
		<dc:creator>Peter Konieczny</dc:creator>
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		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=1614</guid>
		<description><![CDATA[
			
				
			
		
The Role of Music in Medieval Shepherds’ Plays
By Vicente Chacón Carmona
Societe Internationale pour l&#8217;etude du Theatre Medieval &#8211; XIIth Colloquim (2007)
Introduction: Music, song and, to a certain extent, dance, feature in all medieval shepherds’ plays, even if they are not musical dramas proper. A series of English, French, and Spanish2 Nativity plays, composed and/or put into writing [...]


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