The Golden Age Theatre Company, who put on this reboot of Richard’s life, tried to portray a different side of the story
Sal ich von den Ioden liten große pin? – Integration and Isolation in the Medieval German Christmas Play
Caught in the (One-)Act: Staging Sex in Late Medieval French Farce Sharon D. King Paper given at the 14th Triennial Colloquium of the Société Internationale pour l’étude du Théâtre Médiéval Poznań, Poland, 22nd – 27th July (2013) Abstract Among the myriad subjects for comical delectation of audiences of late medieval France,the rules and roles of […]
What I would like to do here is examine the passages of violence and other bits of scenography, moving from the macro to the micro level and back again, over the three- day play. With 260 rubrics (stage directions) embodied in the text, a manuscript nearly contemporaneous with the performance itself, we have a unique opportunity to visualize much of the action on stage.