Posts Tagged ‘Crusades’

The Holy Lance of Antioch: A Study on the Impact of a Perceived Relic During the First Crusade

By Marius Kjørmo
Master’s Thesis, University of Bergen, 2009

Introduction: The Crusades are by many viewed as a symbol of the ultimate clash between different cultures. Now, more than 900 years after Pope Urban II held his famous council at Clermont in 1095, students of history still flock to the sources in an attempt to understand the complexity of a movement that far exceeded Urban’s visions when he declared that all men who fell on the road to, or in combat against the Turks who had attacked the Christians in the East, would get full absolution for their sins. As I am sure most social anthropologists can confirm, it is often when confronted with a different culture that one learns more of its own. This is undoubtedly true also of the first crusade, and this is the motivation behind this thesis. What can be learned from the Christian men and women who travelled 3000 miles from their homes in search of adventure, personal glory and wealth, and absolution in the eyes of God? The role of religion will play an important part in this thesis. There is no doubt that most men and women who took the cross were God-fearing people.

However, just by browsing the source material one cannot fail to notice the disagreements between the crusaders on exactly how God’s will were manifested in the events that took place on the arduous journey from the heart of Europe to the holiest place in all of Christendom, Jerusalem. Another interesting aspect revealed by the sources is the political strife which existed between the crusaders. The crusaders were drawn from all over Europe and after uniting outside Nicea in early June 1097, the only thing which kept the crusaders as one united body was their belief in God and their common distaste of what they considered to be pagans. But what happens when religion, their unifying factor, becomes a point of debate, or even a tool in the power struggle between the different leaders of the crusade?

This thesis attempts to focus on this point of intersection, where the lines between politics and religion become blurred and where the two spheres slide into one another. At no time during the first crusade is this better exemplified than during the siege, capture, and battle of Antioch. Not only were the struggles at Antioch a pivotal moment for the expedition, it is also here that we first encounter stories of visions which would subsequently influence crusading politics. Antioch is also the site for perhaps the most controversial event on the entire crusade; the discovery of the Holy Lance. The story of how the Holy Lance was uncovered, the effect it had on the crusaders and how it was interpreted by contemporary witnesses, medieval chroniclers and modern historians alike, will be the main focal point for this thesis. As will be seen, this is a subject where neither the contemporary sources nor modern historians agree on what actually happened and to what extent the supposed relic lead to the subsequent triumph of God’s army.

The main focus of this thesis is the Holy Lance discovered at Antioch in the summer of 1098 by Peter Bartholomew, centered on the question: what was the impact of the Lance to the first crusade? To be able to answer this question we must examine the story of the Lance, from the reported visions that led to its discovery, to the ordeal of fire where it mostly disappears from the sources. We will have to take into account the gallery of people involved in this story, especially Peter Bartholomew, Raymond d’Aguilers, Raymond of Toulouse, Bohemond of Taranto and Bishop Adhemar of le Puy.

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Holy War and the Medieval Lawyers

By James W. Brundage

Holy War, edited by Thomas Patrick Murphy (Ohio State University Press, 1976)

Introduction: Violence has always been a problem for human societies. Western European societies, which have traditionally identified themselves as Christian, tend to find this problem especially vexing. The Christian ethic, after all, gives particular prominence in its value system to love of one’s neighbor, and violent behavior is the very antithesis of the virtue of love. Yet both private mayhem and organized public hostilities have continued to erupt in Western European societies. This fact presents a notable difficulty for Christian thinkers and writers, who have commonly felt a need to try to reconcile the violent, warring actions of men, including Christian men, with the theological values they profess.

War represents the ultimate degree of organized violence between communities. War has, accordingly, always been a thorny subject for Christian writers and the Church’s attitude has been markedly ambivalent on this subject. Despite their pacific ideals, Christian moralists and theologians were compelled to recognize that war was a fact of life. During the Middle Ages, Western intellectuals began to analyze in some detail the various aspects of war. Their treatments of the subject became increasingly sophisticated during the years between about 1000 and 1300. Out of the discussions of war in this period there emerged a fundamental transformation of the way in which the problem was treated. This change involved a transition from a consideration of war as primarily a moral and theological problem to a conception of war as fundamentally a problem of law. Likewise, as the Church’s enforcement powers increased, theological moralizing tended to be replaced by a more rigorous categorization of hostile action.

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Holy Warriors: A Modern History of the Crusades

By Jonathan Phillips

Bodley Head, 2009
ISBN: 97802240799372

Synopsis: In his remarkable book, Jonathan Phillips explores the conflict of ideas, beliefs and cultures and shows both the contradictions and diversity of holy war. He draws on contemporary writings – on chronicles, songs, sermons, travel diaries and peace treaties – to throw a brilliant new light on people and events we thought we knew well. Although the notion of fighting for one’s faith fell into disrepute in the Enlightenment, Phillips traces the crusading impulse from the bloody conquest of Jerusalem in the First Crusade and the titanic struggle between Richard the Lionheart and Saladin up to the present day – to George W. Bush’s characterisation of the war on terrorism as a crusade.

Read an excerpt of the book from the New York Times

Book Review by Eric Ormsby, New York Times – “This is the best recent history of the Crusades; it is also an astute depiction of a frightening cast of mind.”

Book Review by Robert Irwin, Literary Review – “Although Holy Warriors has been written for a general readership, its scholarship is meticulous and up to date. Phillips briskly discounts items of popular folklore about the crusades, such as the notion that landless younger sons formed a large part of the crusading expeditions to the East. Similarly, he does not think that it makes sense to regard colonialist land-grabbing hunger as an important motive for crusading.”

Book Review by Norman Housley, BBC History Magazine – “With its crisp management, accessible style and deft characterisation, this book stakes a strong claim to be the most appealing narrative account of the Crusades for a general audience.”

Book Review by Simon Sebag Montefiore, Financial Times – “In Holy Warriors, Jonathan Phillips delivers a history that brings the concept of the crusades up to the present, with both academic analysis and elegant storytelling.”

Jonathan Phillips’ Faculty web page from Royal Holloway, University of London

Entry on Jonathan Phillips from the Crusades Encyclopedia

Letters from the East: Crusaders, Pilgrims and Settlers in the 12th–13th Centuries

Edited by Malcolm Barber and Keith Bate
Ashgate, 2010
ISBN: 978-0-7546-6356-0

From the series Crusade Texts in Translation

No written source is entirely without literary artifice, but the letters sent from Asia Minor, Syria and Palestine in the high middle ages come closest to recording the real feelings of those who lived in and visited the crusader states. They are not, of course, reflective pieces, but they do convey the immediacy of circumstances which were frequently dramatic and often life-threatening.

Those settled in the East faced crises all the time, while crusaders and pilgrims knew they were experiencing defining moments in their lives. There are accounts of all the great events from the triumph of the capture of Jerusalem in 1099 to the disasters of Hattin in 1187 and the loss of Acre in 1291. These had an impact on the lives of all Latin Christians, but at the same time individuals felt impelled to describe both their own personal achievements and disappointments and the wonders and horrors of what they had seen. Moreover, the representatives of the military and monastic orders used letters as a means of maintaining contact with the western houses, providing information about the working of religious orders not found elsewhere.

Some of the letters translated here are famous, other hardly known, but all offer unique insight into the minds of those who took part in the crusading movement.

Click here to go to the Publisher’s Site

Click here to read two accounts of the fall of Acre in 1291 – from De Re Militari

An enormous Crusader-era fresco that was discovered in Jerusalem will go on display next month at the Israel Museum. At nine meters long and 2.7 meters high, it is the largest painting ever discovered by archaeologists in Israel.

In 1999 the Israel Antiquities Authority conducted excavations in Nahal Kidron, next to the Garden of Gethsemane of the the Monastery of Miriam, under the direction of Jon Seligman. The excavations uncovered several buildings dating to the twelfth century that were part of the Abbey of St. Mary of the Valley of Jehoshaphat, most of which had been destroyed after the city fell to Saladin in 1189. But to the excavators’ surprise a nine meter long wall that was decorated with a painting of breathtaking beauty was exposed in one of the rooms.

Thanks to a generous contribution by the Friends of the Israel Museum, the painting has been restored by a team of art conservators of the Conservation Department of the Israel Antiquities Authority, headed by Jacques Nagar, and will be placed on exhibit in the museum’s new Crusader period gallery.

According to Seligman, the subject of this fresco – only the bottom part of which survived and which originally rose to a height of about nine meters – is apparently a scene of deésis (meaning supplication in Greek). This is a known iconographic formula whereby Mary and John the Baptist beseech Jesus for forgiveness, for the sake of humanity. Only the bottom parts of the figures are visible in the main picture: Jesus sitting in the center, with Mary to his right and John the Baptist to his left. Two other pairs of legs, probably those of angels, can be seen next to Mary and John.

In the middle of the painting are colorful floral tendrils on either side of which is a Latin inscription of a saying by Saint Augustine: “Who injures the name of an absent friend, may not at this table as guest attend.”

The archaeologists concluded from this that the painting adorned the wall of a dining room – the refectorium – in the monastery. The prohibition to gossip is surprising since the monks there were Benedictines who refrained from unnecessary conversation. According to the researchers, the maxim was apparently intended for visitors who arrived at the monastery and were invited to dine there.

Jacques Nagar commented, “This is one of the most important paintings that have been preserved from the Crusader period in Israel. The painting is the largest to come out of an archaeological excavation in the country and the treatment the painting underwent in the laboratories of the Israel Antiquities Authority was, from a conservation standpoint, among the most complicated ever done here.

“This wall painting is special because of its size and quality. It measures 9 meters long and 2.7 m high, and is extremely rare because very few wall paintings have survived from the Crusader churches that were built in Jerusalem during the Crusader period. The excellent quality of the painting was in all likelihood the workmanship of master artists and the vibrant colors reflect the importance of the abbey in the twelfth century, which was under the patronage of the Crusader queen Melisende.”

“We are proud to include this unique wall painting in our new gallery of Crusader art,” added Na’ama Brosh, curator of Islamic art in the Israel Museum and who was responsible for placing it on exhibit in the new gallery. “We wish to thank the Israel Antiquities Authority for their cooperation that has resulted in the presentation of this important exhibit to the public.”

The fresco will be displayed for the first time when the Israel Museum re-opens on July 26, 2010.

Source: Israel Ministry of Foreign Affairs

In the Syrian Taste: Crusader churches in the Latin East as architectural expressions of orthodoxy

By Susan Balderstone

Mirabilia, Vol. 10 (2010)

Abstract: This paper explores how the architectural expression of orthodoxy in the Eastern churches was transferred to Europe before the Crusades and then reinforced through the Crusaders’ adoption of the triple-apsed east end “in the Syrian Taste” in the Holy Land. Previously, I have shown how it can be deduced from the archaeological remains of churches from the 4th-6th C that early church architecture was influenced by the theological ideas of the period. It is proposed that the Eastern orthodox approach to church architecture as adopted by the Crusaders paralleled the evolution of medieval theology in Europe and can be seen as its legitimate expression.

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The Albigensian Crusade:A Historiographical Essay

By Eric O. Rummel

Perspectives in History, Vol.21 (2005-6)

Introduction: By the beginning of the 13th century an insidious heresy swept through the Languedoc region of southern France. These apostates, called Albigenses, or Cathars, preached an unorthodox ‘heretical’ version of the Christian faith that spread quietly and powerfully from town to town. It led to a bloody and fearsome act; one perpetrated by Europeans on fellow Europeans: The Albigensian Crusade.

This comparative historiography is a careful attempt to examine the state of scholarship on the Albigensian Crusade. With no primary sources readily available, a close inspection of a large number of secondary sources proved invaluable in gaining an understanding of this event. Even then, one is left with questions, for scholars do not always agree.

Four points of contention arose from this survey: the nature of the Cathar heresy, the reason that local Latin Christians had no part in the persecution of the Cathars, the origin of the call for the Crusade, and finally the explanation for the strange events at Montségur.

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Review: Robin Hood

Warning: Spoilers

Sandra: Peter and I saw Robin Hood on the opening weekend and both of us were pleasantly surprised by this movie. It was directed by Ridley Scott, of Alien, Blade Runner, Kingdom of Heaven, and Gladiator fame. The movie stars Russell Crowe as Robin Hood and Cate Blanchett as Maid Marion.

I enjoyed the direction Scott took with this film; it was not done in the typical Robin Hood fashion. It tells the background story of Robin Hood and how he came to be an outlaw.

The story starts with Robin fighting for King Richard in Chalus, France. It shows Robin and his comrades (“Merry Men”) in the army encampment and gives a bit of back story to their friendship.  Richard is killed in battle at Chalus and Robin and his men run away in fear of being over run by fleeing Englishmen escaping the French. They come upon the remains an ambush where they find a dying knight who tells them that his party was to bring the King’s crown to London. The dying knight elicits a promise from Robin to return his sword to his father and let him know of his passing. Discarding their travelling clothes and donning the attire of knights, and adopting the knight’s identities, they board a boat and sail to deliver the crown to London. Once they deliver it and John is crowned king, Robin and his men head north to Nottingham to deliver the sword to the father of the fallen knight. There, they meet the knight’s widow……Marion.

The story unfolds in a series of interesting twists that do not appear in any previous telling of the Robin Hood tale with its usual over the top Sherwood Forest, Merry Men and evil Sheriff of Nottingham cheesiness. The Sheriff has more of a cameo and does not figure in this movie prominently at all.  Scott’s take on this story is refreshing. I like the new twist to the back story of Robin Hood. There are some comedic moments but what this story is lacking (blessedly) is the “camp” factor that plagues most Robin Hood movies. There is a lot of action, graphic violence and many battle scenes – it’s more like Braveheart meets Gladiator and the scene from the Battle of the Pelennor fields in Peter Jackson’s, Return of the King. What the movie is not, is campy; not in the least. I was glad since it was what I expected. For once, I was happy to be disappointed!

The chemistry between Crowe and Blanchett  as Robin and Marion is believable. King John’s ineptness provides many of the movies comedic moments, the battle scenes are exciting, and the movie is beautifully filmed. The movie is quite long (2.5 hours) but I enjoyed it so much that I really didn’t notice the time.

Was it historically accurate? Not really, in so much there are historical bits and pieces lumped together in a hodge podge to neatly tie history together for the movie’s purposes. It is about as historically accurate as a historical fiction novel; it’s based in a historical period, with characters from that time but the details of their interactions are liberally altered to suit the narrative of the film. That’s how I approach these movies – I realize they aren’t meant to be 100% accurate reflections of historical events but mere reflections of them. Does that lessen my enjoyment of the movie? Not at all; I’m not watching a documentary – it’s a Hollywood blockbuster. It was simply an enjoyable, fictional take on a period in history. It’s a great movie, fun, funny, action packed and entertaining. I highly recommend it!

Peter: Most, if not all other films about Robin Hood, tell the tale of a band of merry men who steal from the rich and give to the poor. This movie is not about that story, but how Robin Hood becomes Robin Hood. It is refreshing take on the tale, and the performances by Russell Crowe and Cate Blanchett make this a very enjoyable film.

The film is really a tale of medieval intrigue and bloodshed, with a common archer named Robin Longstride getting caught up in the fortunes of kings and queens. The overriding story is that the King of France has plotted with a Sir Godfrey to betray the recently crowned King John and invade England.

For those who are wondering about the historical accuracy of this film – the answer is mostly no – while most of the main characters are real people, these events did not actually happen. But as Sandra says, this is not a documentary, so I am not going to worry too much about this. Meanwhile, the filmmakers have done a good job in making the characters and surroundings look medieval. And the battle scenes have a good grittiness to them which makes it look believable – no heads are being chopped off with a single stroke.

The two leads – Crowe and Blanchett – have great chemistry in this film and have both made strong characters. They get much of the screen time, which limits the impact of the many other performances given here. For example, Robin’s buddies – Little John, Will Scarlett, etc., are there, but are mostly used for a little comedy and to take part in the fight scenes.

One character that does stand out is King John, played by Oscar Isaac. The English king gets to be arrogant, cowardly, sly, dumb, erratic and Machiavellian all in the same movie. He was great!

After watching the film, I have to say in the end that I enjoyed it and found it intriguing enough to keep my attention throughout its two and a half hours. It is a good medieval action movie, with just enough romance and comedy thrown in.

See also: Robin Hood – Film Profile

Videos about Robin Hood film

In the Shadow of Zengi: Diplomatic Relations between Damascus and the Crusader States during the Reign of King Fulk of Jerusalem

Paper by Basit Hammad Qureshi, University of Minnesota

Given at the Crusades I session at the 45th International Congress on Medieval Studies (2010)

Until recent years, the image of Imad ad-Din Zengi, Atabeg of Mosul (1128-1146) was that he was an ardent enemy of the Crusaders and struggled continuously to fight the Christian presence in Syria and Palestine after the First Crusade. Newer scholarship has shown that their is little evidence to support this view.

Qureshi examines a question that has arisen from this new view of Zengi – was he the main reason behind the alliance formed between King Fulk of Jerusalem and Damascus in 1140? The presenter shows that Zengi was not seen in particular as a threat to either the Franks or Damascenes, but rather a nuisance.

He points to Zengi’s military campaigns, which in the early years of King Fulk’s reign were not directed towards the Crusaders or Damascus, but instead against the Abbasids in Iraq. Zengi did launch attacks into Syria, but his operations were limited and he seems to have made sure that his forces avoided any pitched battles.  Qureshi points out that in some engagements, Zengi’s armies were easily dispersed in the face of Crusader or Damascene pressure.

Zengi did launch a siege of Damascus in 1135, but the circumstances of this episode do not confirm that he presented a serious threat to the city. Zengi was invited by the local ruler of Damascus to take over, but this was because this sultan either feared that the population would overthrow him or because according to some sources he was mad. In any event, before Zengi could arrive to take over the city, the ruler was murdered by his own family, and the gates of the Damascus were closed to the army from Mosul. Zengi did arrive on the scene and attempted a siege, but this only lasted about a month and was not very effective.

In later years, the rulers of Damascus did make agreements with Zengi, who often betrayed them, but the Damascenes seemed to believe that he was not a sufficient enough threat to their city.  In fact, a treaty signed just before 1140 shows that Damascus and Zengi exchanged territory that put Zengi in a closer position to the Syrian capital.

Therefore, what were the reasons behind the Damascus-Crusader alliance of 1140? Qureshi suggests that it had more to do with each side’s internal situations. He also states that the Damascenes wanted to avoid Crusader skirmishes. Meanwhile King Fulk received more territory through the deal, which gave him a foothold in Syrian lands.

Communicating Crusade: Livonian Mission and the Cistercian Network in the Thirteenth Century

By Marek Tamm

Ajalooline Ajakiri, no. 3/4 (2009)

Introduction: In this article, I would like to raise the question of how and to what extent did contemporary information about the conquest and Christianization of Livonia reach Western Europe? This specific question is, of course, located within the broader context of the history of medieval communication, in general, and the history of the communication of the crusades, in particular.

In discussions about medieval communication, it is very important to keep in mind its oral and conservative character. Even though the significance of the written and visual channels of the time should definitely not be underestimated, it was the immediate oral contact between addresser and addressee that dominated in the medieval communication act. It is not possible to speak about mass communication in the strict sense of the term in the Middle Ages, although from the thirteenth century on, ever more wide-spread preaching began to acquire certain features characteristic of mass communication.

The contribution of the crusades into the evolution of communication is indeed remarkable, even if it did not entail principal changes in the nature of communication channels. As one of the most prominent students of medieval communication, Sophia Menache, has aptly put it: “The Crusades present one of the earliest examples of what has since come to be known as the use of mass media, whose impact in medieval society is hardly questionable.”

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