
It was the fourth church to be built on the site on Ludgate Hill and the presence of the shrine of St. Erkenwald made the church a pilgrimage site in medieval times.
Where the Middle Ages Begin

It was the fourth church to be built on the site on Ludgate Hill and the presence of the shrine of St. Erkenwald made the church a pilgrimage site in medieval times.

Readers are treated to an overview of medieval stained glass as an art medium, an academic topic of study, and as a prized portion of the collection of the Getty.

A list of eight hundred existing parish churches with a priori evidence of organs has been drawn up, forming the basis for exploration of medieval churches for physical evidence of liturgical musical arrangements, including organs.

This thesis analyses four different aspects of devotional life at one of England’s largest and wealthiest medieval cathedrals between the years 1092 and 1235.

The theme of this paper is the use of ecclesiastical properties as sites of theatrical violence, and violence as a major element in the complex discourse between powerful rural lords and the Florentine commune.
Up towards the ceiling vault of the Nidaros Cathedral, a number of artworks are hidden from public view. Many of the stone sculptures portray mythological animals and other scary creatures. In such company, one would imagine that human faces were also intended to evoke fear and anguish. Do they depict people with diseases?

Rising 168 feet (51 m) from the main crossing tower to a height of 404 feet (123 m) above ground level, the spire of Salisbury Cathedral, the tallest stone spire in England

This dissertation will study the correlation and influences between a series of underlying beliefs and how these find expression in the architecture and setting of place.

Archaeologists working for the Israel Antiquities Authority have uncovered the remains of a 1500 year old Byzantine church south of Tel Aviv. It includes a large mosaic and inscriptions in Greek.

No list of the outstanding Gothic monuments of Europe could fail to include the Cathedral of Florence, yet its place in medieval architecture remains anomalous. Anomalous above all is its unprecedented design, which integrates a rib-vaulted basilica, a domed octagon, and a triconch of fifteen extruded chapels.

This article gives an overview of the features, choices, tastes and models of sanctity characteristic of Italian hagiography, against the background of local contexts and political competition.

As hereditary surnames were not common in Anglo-Saxon England, men of the same name were differentiated by sobriquets based on their place of origin, a physical characteristic or occupation. This article argues that Eadui Basan and Aelfric Bata, two eleventh-century monks of Christ Church, had sobriquets, in Latin of fashionable obscurity, that reflected their occupations within the monastic community.

Christel Theunissen, a graduate student at Radboud University, has created this video introducing the research she is doing on medieval choir stalls.

A medieval design based in Sacred Geometry principles, this unicursal path through concentric circles is a metaphorical container for spiritualjourneying.

Prior to the late tenth century, the princes of the Riurikid dynasty were rulers over the loose collection of pagan Slavic tribes and minor city states that were Kievan Rus. However, in a relatively short period, the dynasty had linked itself and its legitimacy to rule to the Orthodox Christian Church centered in Constantinople.

It accordingly seems clear, from many preserved accounts, that by the end of the fifteenth century the rubric of the Church of Prague was no longer the same and that progressive versions contained different layers of alteration to the performance practice of Palm Sunday ritual.

In the year 526 CE, the bishop of Rome, Pope Felix IV, petitioned the Ostrogoth king Theoderic for permission to convert a small complex in the Forum Romanum into a place of worship dedicated to the Saints Cosmas and Damian…This paper critiques traditional interpretations of this church—its physical location and its apse mosaic—in light of new research that nuances our understanding of the historical context in which it was commissioned.

Although technically reserved for worship, church buildings were put to numerous non-devotional uses in the Middle Ages, raising the question just how set apart from daily life medieval churches were.

The Charlemagne Window, justly considered one of the most beautiful of the history windows of Chartres Cathedral, is located in the northeastern intermediate radial chapel and can probably be dated to about 1225.

The Contractors of Chartres Revisited Chris Henige Paper given at: The Masons at Work Conference (2012) Abstract Some thirty-five years ago, architect and architectural historian John James published an in-depth study of the cathedral at Chartres entitled The Contractors of Chartres. Five years later he summarized his conclusions in The Master Masons of Chartres, in […]
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