Another fascinating paper from “Making the Medieval Relevant” was given by Daniel Curtis, a specialist in Social and Economic History, and a professor at the University of Utrecht.
Embracing Death, Celebrating Life: Reflections on the Concept of Martyrdom in the Order of the Knights Templar
Although research on the concept of martyrdom during the era of the Crusades has gained considerable prominence, it has rarely been applied to the Knights Templar. This is surprising, as the Templars were the first military order and paved the way for a new monastic development; they were devoted to warfare only; and they, together with the other military orders, but unlike most Crusaders, established a permanent presence in the hostile environment of the Holy Land, consequently facing the threat of death both regularly and frequently.
Environmental archaeologist and Professor of Archeology at Reading, Dr. Aleks Pluskowski, examined Malbork and several other sites across Eastern and Northern Europe in his recent paper, The Ecology of Crusading: The Environmental Impact of Holy War, Colonisation, and Religious Conversion in the Medieval Baltic. Pluskowski is keenly interested in the impact the Teutonic Knights and Christian colonisation had on the region. His ambitious 4 year project on the ecological changes in this area recently came to a close at the end of 2014.
I recently visited the British Museum and enjoyed their Witches and Wicked Bodies exhibit which runs until January 11th, 2015. It displays art depicting witches from the middle ages up to the late nineteenth century. This post looks at a few late medieval interpretations of witches and the artists behind these works.
‘De civitatis utriusque, terrenae scilicet et caelestis’: Foundation Narratives and the Epic Portrayal of the First Crusade
In 806 a much-discussed silver denarius bearing the likeness of Charlemagne was issued. This is called the “temple-type” coin due to the (as yet unidentified) architectural structure illustrated on the reverse side, and which is explicitly labeled as representing the epitome of “Christian Religion.”