
Martin Golberg, Senior Curator at the National Museums of Scotland, travelled to the British Museum to give audiences perspective on the various pieces in the exhibit as well as an introduction to what constitutes “Celtic” art.
Where the Middle Ages Begin

Martin Golberg, Senior Curator at the National Museums of Scotland, travelled to the British Museum to give audiences perspective on the various pieces in the exhibit as well as an introduction to what constitutes “Celtic” art.

Another fascinating paper from “Making the Medieval Relevant” was given by Daniel Curtis, a specialist in Social and Economic History, and a professor at the University of Utrecht.

Why did science and natural philosophy suffer such disparate fates in the two great civilizations of Christendom and Islam?

Of the four medieval #placestosee in Lisbon, Jerónimos Monastery, Mosteiro dos Jerónimos, was my favourite. The monastery is located in Belém, a suburb of Lisbon, that is famous for the 16th century monastery, as well as for its world famous pastry shop, Pastéis de Belém…

Above Lisbon’s skyline of colourful tiled houses and red roofs lies Castelo de São Jorge, a dominating, but beautiful, 11th century fortress in the heart of this vibrant city…

Journalist and author Nicholas Walton writes about medieval Genoa’s economy, trade and role in the Black Death. Walton recently published a book on Genoese history entitled, “Genoa: La Superba”

Although research on the concept of martyrdom during the era of the Crusades has gained considerable prominence, it has rarely been applied to the Knights Templar. This is surprising, as the Templars were the first military order and paved the way for a new monastic development; they were devoted to warfare only; and they, together with the other military orders, but unlike most Crusaders, established a permanent presence in the hostile environment of the Holy Land, consequently facing the threat of death both regularly and frequently.

The International Medieval Congress is taking place at the University of Leeds, I’m on hand this week to report on the conference. This blog post reports on my first session.

A look at cool and fun facts about angels and how they were depicted in some of the most beautiful works of Medieval and Renaissance art.

The 3 papers featured here looked at the development of the civic identities of Florence, Genoa and Rome through art, architecture and foundation legends.

This coming week I’ll be featuring summaries on some of my favourites sessions and papers from #KZOO2015. I kicked off my first session on Thursday with the Magna Carta.

Do the respective claims of the Jewish, Christian, and Islamic holy texts contribute to the violence between the various communities that read them? Or do they provide a basis for solidarity between the three Abrahamic religions?

According to hagiographers, (C)Katherine was a princess, the daughter of Roman governor named Constus. She was well educated, beautiful and highly intelligent. She converted to Christianity at the age of 13 or 14 and caught the eye of the Roman Emperor, Maxentius (278-318 AD).

Environmental archaeologist and Professor of Archeology at Reading, Dr. Aleks Pluskowski, examined Malbork and several other sites across Eastern and Northern Europe in his recent paper, The Ecology of Crusading: The Environmental Impact of Holy War, Colonisation, and Religious Conversion in the Medieval Baltic. Pluskowski is keenly interested in the impact the Teutonic Knights and Christian colonisation had on the region. His ambitious 4 year project on the ecological changes in this area recently came to a close at the end of 2014.

The literature of war in English claims its origin from the Homeric epics, and the medieval accounts of chivalry and the crusades.

Where did trolls come from? What did medieval and early modern people think of trolls? How did the concept of the modern day troll evolve?

I recently visited the British Museum and enjoyed their Witches and Wicked Bodies exhibit which runs until January 11th, 2015. It displays art depicting witches from the middle ages up to the late nineteenth century. This post looks at a few late medieval interpretations of witches and the artists behind these works.

My summary of a paper given at the Institute of Historical research on the accounts of Antioch and Jerusalem during the First Crusade.

Religion is a very important factor to take into consideration in discussions about the identity of the conversos [converts] or New Christians, an emerging group in 15th-century Castile.

In 806 a much-discussed silver denarius bearing the likeness of Charlemagne was issued. This is called the “temple-type” coin due to the (as yet unidentified) architectural structure illustrated on the reverse side, and which is explicitly labeled as representing the epitome of “Christian Religion.”

The starting point of the classical tradition in medieval Hungary is marked by a letter written by Bishop Fulbert of Chartres in Northern France to Bishop Bonipert of Pécs in Southern Hungary.

In 1493 the well-known and controversial Franciscan preacher Bernardino of Feltre gave a series of Lenten sermons to the people of Pavia. On March 11 he dedicated an entire sermon to the necessity of contrition—or perfect sorrow over sin—in the rite of confession.
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