
I will examine two forms of transformation, the werewolf transformation and the monstrous human transformation, both of which feature shape shifters who presumably cannot be trusted
Where the Middle Ages Begin

I will examine two forms of transformation, the werewolf transformation and the monstrous human transformation, both of which feature shape shifters who presumably cannot be trusted

William Marshal (c.1147-1219) is among the most extraordinary individuals in medieval English history.

Malory’s Morte Darthur, as Caxton entitled it in his print of 1485, is well known and widely admired. This paper will try to relate it to an important part of its literary and cultural background, the fifteenth-century ‘literature of knighthood’ or ‘literature of nobility’, which is not well known and not admired at all.

The author of this thesis has decided to compare the chivalry knightly virtues with the values of the present–day army, because she has always been interested in the stories about knights fighting against the Saracens, and has always admired some of the knightly virtues such as courage, honesty, loyalty or mercy.

The Arthurian oeuvre traditionally maintains a plot structure that requires knights to depart from the Round Table, either as a response to a challenge or in quest of chivalric “aventure,” followed by a return to Camelot. Within this narrative framework, there exists an intricately designed logic to descriptions of movement and travel. In particular, sex and travel appear inseparable.

From the late thirteenth century, traitors in England were subjected to spectacular rituals of public execution that could include drawing, hanging, disembowelling, beheading, quartering and bodily display.

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.

These days when chivalry is everywhere on the decline, and no one dares to tourney anymore, and all knights are cowards, women are all the more courageous in battle.’

The medieval English forest has long been a space of contested legal meanings. After King William I first created the 75,000-acre New Forest, the English monarchy sought to define the vert, both legally and ideologically, as a multiplicity of sites in which the king’s rights were vigorously enforced.

Among the spectacular Eastern hunting techniques which could become the object of interest and envy of the Europeans, one easily adapted to the natural conditions of Europe was undoubtedly the falconry. In fact, it became not only a great fancy of medieval and renaissance Europe, but also a kind of cross-cultural bridge across ideological gaps.

This book is the central one of Troilus and Criseyde’s five books, with the sexual union of Troilus with Criseyde forming the climax and turning-point of the entire plot-structure, condensed at the start of the work by Chaucer in the words “fro woe to wele and after out of joie.”

In my view, Criseyde’s inquiry about Troilus’s verbal skill in “luf talk” highlights more a problematic issue of Criseyde’s concern about a man’s “loves craft” than that of his class in society. As Chaucer’s narrator remarks in the proem of Book II (22-42), every human activity in love is governed by language conventions, expressive shortcuts that a community agrees to understand and honor…

This paper will explore and analyze strategic decision making by Edward III, King of England, and Philip VI, King of France, at the Battle of Crecy using the critical thinking model as a conceptual framework, in conjunction with egocentrism and sociocentrism as the two main cognitive frames of reference.

Had the arms, armour and tactics of the tournament become so removed from actual warfare that the tournament was no longer able to provide valuable martial training and experiences?

While the chivalric ideal has continued to appear in British literature, Anglo-Saxon heroism with its bond between lord and thane has largely dropped away. The writings of J.R.R. Tolkien provide the striking exception to this.

Tristan and Isolde is an Arthurian legend, the origins of which predate Arthur’s Roundtable. Scholars generally agree that the story of Tristan and Isolde is Celtic in origin.

Does the season of the dark and the increasing day correspond to our own journeys into the dark and a celebration of light with new understanding and strengthened connectedness? Perhaps there is more than a bit of Pluto symbolism in our activities of the winter solstice.

The concept of knighthood began as a military strategy used to supply men to fight kings’ wars, but it gradually developed into the glamorized ideal of chivalry and became associated with virtuous behavior expected during times of both war and peace.

The famous/infamous European hero, crusader and voivod, Vlad “Tepes” Dracula III (1431-1476), was actually (for better or for worse) one of knightly peers of European Chivalry.
William Marshal, hailed at his death as the ‘greatest knight in the world’ by the Knights Templar and the Archbishop of Canterbury, certainly lived up to those claims.
Medieval Music Literature Christensen, Thomas (University of Chicago) THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC, March (2011) Abstract Literature on music in the Middle Ages poses special challenges to the historian. There is first of all the obvious fact that there is a great deal of it. (The number of extant medieval music theory texts alone exceeds […]
The use of trial by battle in the work of Sir Thomas Malory Enyon, Nadine Ruth(Saskatoon, Saskatchewan) M.A. Thesis, English, University of Saskatchewan (1974) Abstract In this thesis I will examine the use of trials by battle in the work of Sir Thomas Malory. In Chapter One, I will study the historical practice of judicial combat […]
Riding the Horse, Writing the Cultural Myth: The European Knight and the American Cowboy as Equestrian Heroes By Metin Boşnak and Cem Ceyhan Alternatives: Turkish Journal of International Relations, Vol.2:1 (2003) Introduction: Any comparative study of cultures will prove that virtually every culture has created its own hero according to its historico-cultural needs, characters, and […]
Not Quite One of the Guys: Pantysyllya as Virgin Warrior in Lydgate’s Troy Book Hennequinn, M. Wendy Medieval Feminist Forum 34, no. 1 (2002) Abstract In her book Blood Rites: Origins and History of the Passions of War, Barbara Ehrenreich tells us, “War is, in fact, one of the most rigidly ‘gendered’ activities known to […]
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