Her research examines the relationships between text and image in vernacular late medieval French manuscripts.
By Danièle Cybulskie In thinking this week about the medieval mysteries we’ll never solve, it struck me that one of the most fun questions that I – and everyone else who loves medieval books – ponder is why the particular stories in them are put together the way they are. Most medieval manuscripts that aren’t […]
Only a small fraction of the writings created in the Middle Ages have survived to the present day. Throughout the medieval period manuscripts would be destroyed or recycled, and in more recent centuries this process only worsened as fires, theft and neglect led to more losses. Many great works from the Middle Ages have been lost, with little hope that any copies survive. Here are five lost works that we would love to see again.
A book reviewer from the 9th century – unsurprisingly, he hated a lot of what her read.
Books delight us, when prosperity smiles upon us; they comfort us inseparably when stormy fortune frowns on us.
My summary of a paper given at the Institute of Historical Research on: Monastic Space and the Use of Books in Anglo-Norman England.
My objective here is to examine briefly the influence of Medievalism on the emergence of the concept of the beautiful book in the Arts and Crafts movement, first in England and then its impact in publication design in the United States in the late 19th and early 20th centuries.
The theoretical debate concerning what constitutes an ‘encyclopedia’ in the Byzantine context appears to be not only underdeveloped, but also carried out in a vacuum with respect to the Latin medieval counterpart (and vice-versa).
In view of this we carried out research on two English medieval translations of John’s Gospel, believing that their comparison would not only reveal differences in the perception and experience of biblical concepts (expressed through language), but also those in culture, society and cognition that occurred in the period between their occurrence.
The paper aims to present the methodology of work used in the research as well as the process of formulating description form related to conservation bookbinding. The paper closes with observations and conclusions drawn from the analysis of the Slovenian collection of medieval codices.
Eleventh-century Umbro-Roman Giant Bibles were commissioned by varied church and lay patrons (and not only by Roman reform- party adherents) and crafted by ad hoc assemblies of paid craftsmen using methods of carefully calibrated, synchronous copying to reduce production time for the single commission.
Although the higher education of the Franciscans has frequently been the object of research, their role in offering elementary instruction has often been ignored.
What I find most remarkable about the bookish slice of medieval society that I study is not so much the differences between medieval manuscripts and our modern books, but their similarities.
In this video, Hobbins discusses his research on the tremendous changes in book production in the late Middle Ages, before the advent of print.
In their attention to philological procedures and details, to the work of editing, revising, and translating, ninth-century scholars made a lasting contribution to the ways in which Europeans would think about the Bible.
Exegesis According to the Rules of Philosophy or the Rule of Faith?: Methodological Conflict in the Ninth-Century Predestination Controversy
The development of biblical exegesis, as Contreni shows, was rapid, but not homogeneous. On the one hand, one of the main ways to acquire biblical wisdom was to rely on the interpretations and teaching of the Holy Fathers, whose texts were studied, assimilated, simplified, collected, and taught. On the other hand, Alcuin’s revival of the liberal arts6 paved the way for the rise of another method of biblical exegesis.
This lecture introduces the main players of this world of medieval book commerce — parchment makers, paid scribes, illuminators, shopkeepers — and discusses why these traditionally separate professions blended into a closely knit community that stands at the cradle of our bookish world today.
This article aims to shed light on the practice of reading the book of hours by considering who engaged in this practice, how the book of hours was read, and what the goal of such reading activity was.
This essay gives an account of the social role of manuscripts and early printed books and the processes by which they were made, processes that changed greatly during the period
The paper examines the role of canon law in two monastic works, the Speculum monachorum (SM) (1272×74) of Bernard Ayglier (d.1282), abbot of Montecassino, and the Speculum religiosorum (SR) (c.1322) of William of Pagula, a canonist and secular priest (d.1332)
In monasteries and cathedrals of the medieval West, the « custos librariae » functioned primarily as a custodian or keeper of bound codices, and we see a similar role emerge from extant medieval registers from Breton cathedral chapters.