King Arthur: Legend of the Sword premiered May 2017 MAN CANDY ALERT! When I sat down to watch “King Arthur” over this past…
In this issue: A Man for All Centuries: The Changing Myth of King Arthur, Guy Ritchie’s King Arthur comes to the big screen!, Medieval Minded with author Guy Gavriel Kay, Books: Harold: The King Who Fell at Hastings, Travel: A hidden medieval garden in Southern France
In our latest issue: Being lovesick was a real disease in the Middle Ages! Judaism, War, and Chivalry: Why is this Knight Different than Other Knights? Travel Tips: San Lorenzo’s Medici Crypt! Crusade in Europe
This week, we have the retelling of the epic Arthurian romance of Sir Gawain and the Green Knight in this 1984 fantasy reboot.
Is Cersei a collection of bad medieval stereotypes? Have nerds gone mainstream? Were American cowboys a modern retelling of the medieval knight? Put down that comic, put away your bag of dice, and indulge your inner nerd.
This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.
The legendary days of King Arthur were full of love and betrayal, loyalty and ambition, violence and intrigue. Which man would you have been in Arthurian times? Take the test and find out!
What I love about King Arthur stories is that they give authors the opportunity to explore the complexities of kingship and relationship without any of the personal knowledge of actually being king.
The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).
French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed.
The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.
This study focuses on the question of how Mordred comes to be portrayed as a traitor within the British Arthurian context.
Critical consensus holds that Chrétien’s first Arthurian romance, Erec et Enide, tends toward cultural and psychological realism.
In literary criticism, awareness of transmission of tales between British and continental literature tends to encourage a view of some Arthurian narratives as more similar in tone, style, and language than they in fact are.
King Arthur is a well known character of literature and film, and any person on the street could probably recall many aspects of his story. However, the story that so many people know and love is the result of hundreds of years of transformation and manipulation of a legend. It did not begin with much grandiosity or with very much background information.
This thesis investigates the theme of family interactions within Malory‘s ―Tale of Sir Gareth,‖ examining the tale itself as well as looking at several analogous Fair Unknown stories in order to determine if the theme is Malory‘s own or if it could have come from a probable source.
According to Hopkins, “[Arthur’s] queen, Guinevere, is more elusive, less written about [than Arthur and his knights], and yet has been for centuries a central character playing a critical role in the rise and fall of the Round Table” (6). He goes on by characterizing her as “a key figure in the life of Camelot, this remarkable woman is seen variably as scholar, seductress, warrior, and dignified gentle beauty by the countless artists and writers who have depicted her. Who, then, was Guinevere?” (10) The purpose of this essay is to answer this question by looking at different texts and novels referring to the Queen.
The majority of medieval scholars, including Roger Sherman Loomis, argue that the popularity of the Arthurian legend in England was therefore on the wane in the latter half of the fourteenth century; as a result, the major writers of the period, such as John Gower and Geoffrey Chaucer, refrained from penning anything beyond the occasional reference to King Arthur and his court.
The Middle English Romances are somewhat difficult to study as a group. In order to examine these works accurately, one must take into consideration other literature produced at the same tirne, as well as that which preceded it.
The War of Roses might have been the most prominent event on the English political stage at the time when the Morte d’Arthur was written, and there is evidence that Malory’s writing was in part informed by he civil discord he was witnessing.
I will examine two forms of transformation, the werewolf transformation and the monstrous human transformation, both of which feature shape shifters who presumably cannot be trusted
In courtly works, the resolution is generally in favour of the status quo as a courtly adulterous affair rarely works out, while in the fabliau the marriage is generally left intact, although a deceitful wife may be given carte blanche to philander.
Madness has been long misrepresented in medieval studies. Assertions that conceptions of mental illness were unknown to medieval people, or that all madmen were assumed to be possessed by the devil, were at one time common in accounts of medieval society.
Before we go any farther, we should investigate the very practical suggestion that tightly fitted clothing resulted from developments in “cutting and sewing technology.” In the case of twelfth century Europe, however, it seems there was no real change in the tools of the trade; for example, iron shears, which might seem primitive, continued to be used by tailors into the late middle ages.
The Christian religion plays a most important role in the internalization and re-enforcement of patriarchy in the Western world. As will be seen later in this thesis, the relationship between a patriarchal God and his “children” is reflected in the relationship between the male head of the family and his wife, children and servants.