The cultural identity of medieval Silesia: the case of art and architecture

Wrocław, Church of St Mary Magdalene

The cultural identity of architecture and visual arts of the Middle Ages in Silesia can be analyzed in the following frameworks: 1.) the distinct formal features of local artwork; 2.) the specific content expressed through it. Macro factors (the type of materials and their availability) are important in architecture, as are architectural patterns and styles.

A figurine from Stare Bielsko. Sexuality in Middle Ages

figurine from Stare Bielsko

ceramic figurine from late Middle Ages, found in Stare Bielsko, shows a couple that is having sex and can be a good example of not such sanctimonious way of thinking.

Michelangelo, Copernicus and the Sistine Chapel

Sistine Chapel

A detailed examination of the themes, motifs and secrets held with Michelagelo’s masterpiece.

Is there a Sixth Sense in the Lady and the Unicorn Tapestries?

The lady and the unicorn Taste

Scholars believe that the tapestries were commissioned in the late XVth century by a member of the Le Viste family

Which Old Master Are You?

Which Old Master Are You

Is your personality like the graceful Raphael, the inquisitive Leonardo, or the fiery Caravaggio?

The Image of the City in Peace and War in a Burgundian manuscript of Jean Froissart’s Chronicles

Defeat of the Jacquerie 9 June 1358

The present essay, which complements a study scheduled for publication in 2000 in a volume arising from a colloquium on the theme Regions and Landscapes held in July 1997 at the International Medieval Congress, Leeds, attempts to build on this work.

(Re)casting the Past: The Cloisters and Medievalism

The Cloisters - NYC.

In this essay, I focus on a variety of texts printed using Anglo-Saxon type between 1566 and 1623 in an effort to explore the use of Anglo-Saxon typeface in the early modern period as the use of the Old English language progressed from polemical truncheon to historiographical instrument.

Warrior Kings and Savvy Abbots: The Cross of the Scriptures, Clonmacnoise

Clonmacnoise - Replica of the Cross of the Scriptures - Ireland

This paper offers a new pespective on the depiction of four figures in elegant costumes on the Cross of the Scriptures at Clonmacnois.

Images of the Medieval Apocalypse

medieval apocalypse

Created by Dr. Sarah Peverley, these are some images of the Apocalypse and Doomsday from medieval manuscripts

Mosaic from Venice

venice mosaic

This mosaic was made in the first half of the twelfth century as part of a decoration at the west dome in the Basilica of San Marco in Venice.

The After Lives of Byzantine Art

Antony Eastmond

In this lecture I will look at the ways in which Byzantine art was used at both ends of the Byzantine world. I will consider how we define art as ‘Byzantine’ and the ways in which the afterlives of these artworks have been manipulated, rewritten and reinterpreted in various settings.

Saving Da Vinci

Leonardo da Vinci self portrait

Studying a famous Leonardo self-portrait, a team of scientists has developed a new, nondestructive way to gauge degradation of ancient paper art and docs

Images of the Medieval City

images medieval city

What did medieval cities look like? Here are 15 images of the urban world from the Middle Ages.

Medieval Images of the Human Body

wound man - Medieval Images of the Human Body

Fascinating and strange medieval images of the human body.

Medieval Graffiti project wins national award

Multiple daisy wheel copy – A complex compass drawn symbol from All Saints church, 
Litcham. Such designs are aongst the most common types of graffiti recorded by the survey 
and are believed to have functioned as ritual protection markings – designed to ward off the 
‘evil eye’.

A local community archaeology project that searches Norfolk’s medieval churches for medieval graffiti inscriptions has received national recognition this week with the announcement that it has been award the prestigious ‘Most Innovative’ Award by the national Community Archive and Heritage Group (CAHG).

Byzantine Dish with a Hawk

Byzantine Dish

This dish, made of lead-glazed earthenware, dates from the mid-12th century.

CONFERENCES: Renaissance Drinking Culture and Renaissance Drinking Vessels

Renaissance Tazza cup

This paper took a closer look at Renaissance drinking vessels and drinking culture and examined the types of vessels commonly used in Italy and the Netherlands during the fifteenth and sixteenth centuries.

Northumbria in Stone: Material Evidence and Tenth Century Politics

Ring-headed cross at Gosforth, Cumbria

This paper will illustrate how different forms of evidence provide disparate answers regarding the political situation in tenth-century Northumbria.

Videos on Medieval Stained Glass

medieval stained glass

These seven short videos explore topics around stained glass and its use in medieval churches.

Medieval Sculpture and Nuclear Science

Medieval Sculpture and Nuclear Science

This 1996 video demonstrates the use of neutron activation analysis to help determine the provenance (origin) of a fragment of medieval sculpture

Music as Text and Music as Image

Music as Text and Music as Image

Danielle Trynoski reports on ‘Music as Text and Music as Image’ by Susan Boynton at the Medieval Academy of America and Medieval Association of the Pacific Conference

BOOKS: Canterbury Cathedral

Thomas Becket - Warrior, Priest, Rebel

After visiting Canterbury Cathedral, I was inspired to suggest books that relate to Canterbury’s famous Archbishops, history and beauty.

A Medieval Handbag fit for an Ilkhan Queen

medieval hand bag

This handbag (or shoulder bag) was made in the Iraqi city of Mosul between 1300 and 1330.

Stained Glass: Radiant Art

Stained Glass: Radiant Art

Readers are treated to an overview of medieval stained glass as an art medium, an academic topic of study, and as a prized portion of the collection of the Getty.

Jesus Christ’s sufferings and death in the iconography of the East and the West

Jesus on the Cross from the 9th-century Chludov Psalter

The image of God sufferings, Jesus Christ crucifixion has received such wide spreading in the Christian world that is hardly possible to count up total of the similar monuments created throughout last one and a half thousand of years.

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