The main subject of this study is an outstanding twelfth-century psalter produced in Normandy which has clear Eastern influences, both in terms of technical conception and iconography.
The J. Paul Getty Museum has opened its newest exhibition – Renaissance Splendors of the Northern Italian Courts – which brings together 25 works including illuminated manuscripts, paintings and drawings that showcases the beautiful artistic production taking place in cities such as Milan and Ferrara during the 15th century.
At first glance, images of evil would seem to be an unexpected element in synagogue art. Only during a relatively short period in eighteenth-century eastern-European synagogues were paintings of predatory beasts and birds catching their prey depicted to convey the idea of the People of Israel pursued by enemies.
Created in 1493, the Nuremberg Chronicle is a history of the World going back to Biblical times. Written by Hartmann Schedel, it was printed in Latin and German editions with hundreds of copies being sold. The 1801 woodcut illustrations were done by Michael Wolgemut and Wilhelm Pleydenwurff. Here are some of favourite images!
From Tempests and Hydraulic Machines to the Arno Diversion: the Historical Significance of da Vinci’s Study of Water
I recently visited the British Museum and enjoyed their Witches and Wicked Bodies exhibit which runs until January 11th, 2015. It displays art depicting witches from the middle ages up to the late nineteenth century. This post looks at a few late medieval interpretations of witches and the artists behind these works.