Advertisement

The Getty Enchants with Alchemy Exhibits

Long shrouded in secrecy, alchemy was once considered the highest of arts. Straddling art, science, and natural philosophy, alchemy has proven key to both the materiality and creative expression embedded in artistic output, from ancient sculpture and the decorative arts to medieval illumination, and masterpieces in paint, print, and a panoply of media from the European Renaissance to the present day.

Caterina Sforza’s Experiments with Alchemy

She collected over four hundred alchemical, medicinal, and cosmetic recipes, and corresponded with other alchemical adepts about materials and laboratory techniques.

What is the Splendor Solis?

The most beautiful and well known illuminated alchemical manuscript in the world.

Pedlars and Alchemists in Friuli History of itinerant sellers in an alpine reality

This short review discusses about itinerant sellers in Friuli, who are Cramaro called (XI-XIX centuries). Attention is focused, in particular, on the question if some of theme were alchemists.

Depicting the Medieval Alchemical Cosmos: George Ripley’s Wheel of Inferior Astronomy

Alchemical writing often develops the idea of a physical or analogical correspondence between heaven and earth: a relationship most fre- quently and conveniently expressed by the use of the seven planetary symbols (Sol, Luna, Mercury, Venus, Mars, Jupiter and Saturn) to denote the seven metals (usually gold, silver, quicksilver, copper, iron, tin and lead respectively).

Visualization in Medieval Alchemy

Therefore, rather than attempting to establish an exhaustive inventory of visual forms in medieval alchemy or a premature synthesis, the purpose of this article is to sketch major trends in visualization and to exemplify them by their earliest appearance so far known.

The Rise of Alchemy in Fourteenth-Century England

However the alchemical source of the early fourteenth century also explicitly maintained that knowledge of the secret of secrets involved an understanding of the hidden forces within the earth, and this in turn would bring earthly power. The most obvious manifestation of this interest in alchemical secrets lay in the belief that controlled experimentation with mercury and sulphur could effect transmutation of base metals into gold.

Fools, Devils, and Alchemy: Secular Images in the Monastery

The fool is one of the most popular and stable character types throughout cultures and times. This is especially true of medieval Europe. The fool, sometimes a jester, sometimes a clown or a trickster, is always recognizable through his abnormal appearance.

Understanding the Language of Alchemy

The editing of medieval alchemical texts poses a number of challenges to the modern scholar.

Towards a Context for Ibn Umayl, Known to Chaucer as the Alchemist ‘Senior’

his article will present what we know of the life and times of an important alchemist, Ibn Umayl.

Harley MS. 3469: Splendor Solis or Splendour of the Sun – A German Alchemical Manuscript

Splendor Solis oder Sonnenglanz is the title of an illuminated manuscript that can rightfully be called one of the principal works of the alchemical tradition (fig. 1). The text survives in many witnesses dating from the early sixteenth to the nineteenth century, of which Harl. MS. 3469 is definitely the most famous and best preserved example.

The Magic of Image: Astrological, Alchemical and Magical Symbolism at the Court of Wenceslas IV

The Czech Renaissance man of letters Vaclav Hajek of Libocany explained the representations of kingfishers and half naked bathmaidens that he saw painted on some Prague buildings, as records of saucy affairs from the life of the King Bohemia Wenceslas IV.

Contributions of contemporary science to Chaucer’s work

The thesis shows that the Medieval Sciences made a significant contribution to Chaucer’s mind and art, and that Chaucer shared the attitude of great scholars before and after him

Technology and Alchemical Debate in the Late Middle Ages

The medieval world view was marked by a deep division between art and nature. Stemming partly from Aristotle, and partlyfrom other Greek, Latin, and Arabic sources, this view placed strict boundaries on the conceptual limits of technical innovation.

Conference on ‘Alchemy and Medicine from Antiquity to the Enlightenment’ taking place at University of Cambridge

The University of Cambridge is hosting an international conference – Alchemy and Medicine from Antiquity to the Enlightenment – which will include over 25 papes ranging from the ancient Greeks to the alchemical remedies of the fifteenth-century English royal physician John Argentein. The meeting will be the first of its kind to bring together leading […]

Adelard of Bath and Roger Bacon: early English natural philosophers and scientists

Adelard of Bath and Roger Bacon: early English natural philosophers and scientists Hackett, Jeremiah M. Endeavour, Vol. 26(2) 2002 Abstract The image of Roger Bacon as a ‘modern’ experimental scientist was propagated as historical truth in 19th century scientific historiography. Twentieth century criticisms attacked this tradition, arguing that Bacon was primarily a medieval philosopher with ‘medieval’ scientific […]

Ibn Wahshiyya and Magic

Ibn Wahshiyya and Magic Anaquel de Estudios Árabes X (1999) HÁMEEM-ANTTILA, JAAKKO Magic has always had a role to play in Islamie society’. Its use has often been condemned by religious scholars, yet the efficacy of magic has never been contested; the early tenth-century religious scholar al-Ash ‘arT (d. 324/936), to take but one example, wrote […]

Graeco-Egyptian Alchemy in Byzantium

The main concern of this paper will be with the problems raised by the reception of ancient alchemy in Byzantium.

A Previously Unidentified Fragment of ‘Pearce the Black Monke Upon the Elixir’ in MS. Mellon 43

A Previously Unidentified Fragment of ‘Pearce the Black Monke Upon the Elixir’ in MS. Mellon 43 Timmermann, Anke Marginalia, Vol.1 (2005) Abstract Among the manuscripts of the Mellon collection, which now forms part of Yale University’s Beinecke Library holdings, there is an alchemical miscellany of a diversity not unusual for sixteenth-century notebooks. The four (ex)tracts […]

medievalverse magazine