Archive for the ‘Books’ Category


Last week, we reviewed a book entitled “Eadric the Grasper: Sons of Mercia Vol. I”.  I had the pleasure of interviewing author Jayden Woods about her upcoming book, background, and future novels.

Jayden graduated from the University of Southern California’s Writing for Screen and Television program and lived Los Angeles for five years before deciding to leave Hollywood and become an author.

“Eadric the Grasper” is her first book set in tumultuous 11th century England. It’s a fast paced historical fiction novel based on the life of Eadric Streona, often considered one of the worst villains in English history. This book tells a different side to his story. It will be released on Amazon.com on October 5th.

For more information about Jayden Woods and her work , please visit her website: http://www.jaydenwoods.com/

1.) You graduated from USC in screen and television writing; what made you decide to leave this career and pursue writing novels? Were you disenchanted with the Hollywood “scene”?

Before I pursued my degree of Writing for Screen and Television, I already wrote novels. But I also dabbled in some artwork and musical composition. I wanted to combine all my skills and make my stories come fully to life on the screen. And what better way to accomplish that than to go to arguably the best film school there is, USC in Los Angeles?

I lived in Los Angeles for five years in all. I met a great deal of successful people in the business. I received a fantastic education. I made short films, interned with a production company, and worked as a writers’ assistant on a primetime TV show (“Numb3rs”). I even got commissioned at one point to write a feature script for a production company (though it will probably never get made). In a lot of people’s eyes, I was really on my way to success.

But indeed, I became “disenchanted.” I saw that most blockbuster scripts went through so many people and revisions before production that they often became warped into something else by the end. I also saw that most of the people who found success did so by devoting years upon years of their life to miserable assistant jobs and/or by social networking. As for the first task, I found it self-defeating. If I put all my energy into a lousy job (and I am talking about jobs in which someone may literally work 60-80 hours in one week), I wouldn’t have the time or passion to write. As for social networking, I must confess, that has never been my strong suit. I’m an introvert, for goodness sakes! And I’m certainly not the only artist with that challenge. But to make a long story short, I felt as if I needed to turn over my entire life, and even change my personality, in order to get where I wanted in Hollywood. And I simply wasn’t willing to do that.

I haven’t lost my dream of bringing my stories to the big screen. In fact, I now think that starting by publishing a book may be the best way to achieve that. Popular books are a “safe” product for studios to invest in, and the writer’s original work is guaranteed respect, because it already has a fan-base. But even if it never comes to that, I am so happy writing novels and soon sharing them with the world.

2.) What interests you in this particular period of the Middle Ages? Will you be expanding into other areas of the Middles Ages for future books?

What intrigued me about the early Middle Ages, or Dark Ages, is that so little is known about them. As an artist, this allowed me to step into the genre of historical fiction and bring my somewhat rampant imagination along with me. During the Viking Age in particular, the Vikings burned valuable items and manuscripts left and right, items which otherwise might have preserved history. So it remains an especially mysterious time. I wanted to be able to use known facts as a plot-base but still have enough freedom to craft my own story. So the first book begins in 1002, and the next two books follow two subsequent generations, concluding a few years after the Norman Conquest.

3.) What drew you to Eadric’s story?

Interestingly enough, I already had a story I wanted to write long before I stumbled upon Eadric Streona’s wikipedia page. You can say my inspiration came from two major sources: the intriguing history of Eadric Streona and my life-long love of the 80’s TV version of “The Scarlet Pimpernel.” Sir Percy Blakeney was one of my childhood heroes. What does this have to do with Eadric Streona? When I finally read Baroness Orczy’s book, I was rather disappointed by the simplicity of some of the characters, but most especially by Percy’s wife, Marguerite. I wanted to write a story about a man with the skill and charm to achieve whatever he wanted, though sometimes what he wanted was not necessarily “good.” I also wanted him to play off someone equally strong, but dogmatic and self-righteous to a fault. I already had a light plot drafted out incorporating Vikings and Anglo-Saxons when I found Eadric Streona, and it was as if a light shone down from heaven. He was the man I needed to write about, and everything else fell into place from there.

4.) Eadric has been vilified in historical treatises; William of Malmesbury described Eadric as, “The refuse of mankind and a reproach unto the English” ; what made you decide to reform this view of Eadric?

I am fascinated by the way society views “heroes,” and also why history remembers some figures more favorably than others. To me, it seems that Eadric was vilified because he lacked what one might call patriotism, or at least loyalty to a single king’s bloodline. He switched sides. He changed his mind. He wasn’t dogmatic. I find this especially interesting from a modern perspective, now that open-mindedness is more often embraced. Eadric certainly killed a few individuals, but he also prevented a major battle from taking place, and in that way saved hundreds of lives. His actions eventually brought England and Scandinavia together under a single king (at least for a little while). So should we vilify him while glorifying the people who wanted the wars to keep going indefinitely? After two-hundred something years of Viking attacks, what were the Anglo-Saxons still fighting for but an incompetent king? I do not want to turn Eadric into a hero, for he certainly wasn’t that. But I want people to question their definition of one.

5.) What sources did you use in your research? How long did it take to do research for this book?

Because Eadric Streona is so often described as a despicable man, sometimes without explanation, I wanted to start with the source texts and go from there: the Anglo-Saxon Chronicles by Florence of Worcester, the Chronicles of the Kings of England by William of Malmesbury, and so on. I tried to draw my own conclusions from those sources (at least as far as the characters and their personalities) before moving on to more recent compositions. I went on to read many other great texts from historians like Edward Freeman, James Henry Ramsay, James Campbell, and others, so that I could combine old knowledge with the new. I spent a few weeks researching vigorously before starting the book, and continued to deepen my research as I worked.

6.) What are your upcoming projects? The Eadric novel is part of a larger series entitled, “The Sons of Mercia”, what can we expect from upcoming novels in the series?

The next volume is “Godric the Kingslayer,” the story of Eadric’s bastard son, Godric. Godric is fictional, but many of the events in the book are not. Canute the Great is a prominent character of Volume 2. Godric wishes to kill King Canute and avenge his father’s death—a goal that comes to consume his entire life. His quest begins as a righteous one, but he watches himself become his own worst enemy, and eventually he must change his ways or tear his own world apart.

The third volume (which is the one I’m writing now) follows another descendant of Eadric Streona, Edric the Wild. Edric is more of a typical protagonist: charming, kind-hearted, and full of good deeds. He is a man who will later inspire the legendary tales of Robin Hood. He seeks to rise up against William the Conqueror and the Norman takeover—even if his battle becomes a losing one.

I see the entire trilogy as an exploration of what makes a hero, what makes a villain, and why we perceive certain men or women as such. Whenever I write, I like to turn black and white into as many other shades as possible. My villains tend to have good traits and intentions; my “heroes” tend to be seriously flawed.

7.) Can you tell us a bit more about your other series, “The Lost Tales of Mercia” and when it will be available to your readers?

“The Lost Tales of Mercia” are already available to readers free and online. As I write this interview, eight of the ten short stories have already been released, and the last two will be out by the time “Eadric the Grasper” releases. “The Lost Tales of Mercia” introduce minor and major characters from the novel and expose details from their lives that are not fully revealed in the book. The novel and the short stories strongly complement each other, but I wrote the book first. You can certainly read “Eadric the Grasper” alone; you will simply be a step ahead of other readers if you’ve read the Lost Tales. On the flip-side, you may finish reading “Eadric the Grasper” first and then wish to dive deeper into one of the characters’ lives; the Lost Tales allow you to do so.

The stories are available on my blog, http://talesofmercia.wordpress.com, and many other ebook distribution channels across the web. I also plan to release a printed version very soon, and people who prefer a physical book will be able to purchase one on Amazon. Otherwise, enjoy them for free online!

We would like to thank Jayden for taking the time to answer our questions ~ Peter & Sandra

Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages

By Michael A. Cramer

Scarecrow Press, 2009
ISBN: 978-0-8108-6995-0

In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group’s activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be “medieval.”

Cramer examines the group’s activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval “king game,” a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.

Click here to listen to a radio interview with Michael Cramer, from Opening Your Intuitive Eyes

Review from Clarion Hall (blog): ‘The book is not a guide to the SCA, or a history of it, I hasten to add. Cramer, a longtime prominent member in the West Kingdom, is also a theatre professional and approaches his topic from the perspective of how members perform the recreation of the Middle Ages and Renaissance. He is clear in his description of how the organization depicts the historical period as it pleases rather than as it was.’

Click here to go to the Publisher’s website

Click here to see Michael Cramer’s blog SCAFighter

The Golden Summary of Cinggis Qayan

By Leland Liu Rogers

Harrassowitz Verlag, 2009
ISBN: 978-3-447-06074-5

The Golden Summary of Cinggis Qayan (Cinggis Qayan-u Altan Tobci) is the earliest post-Mongol Empire period compilation of legends of the Genghis Khan mythos known to date. These stories are the original legends from which many later Genghis Khan Chronicles were based and were central to the mythos of the Cult of Genghis Khan. The stories within legitimize the rules of Genghis Khan and his descendants through divine acts, but also clearly show the human side of Genghis Khan, of how he erred from lust and anger, and of his willingness to correct his mistakes, to listen to reason, thus making him the great just and righteous emperor. This book contains together with extensive commentary the first full English translation of this text.

Excerpt: The Prophetic Dog of Emperor Siduryu

There was a prophetic black muzzled fallow yellow dog named Kubeleg who belonged to the emperor Siduryu. The holy Lord (Genghis), having respectfully conveyed and erected his nine footed white standards here and there, and having continuously ridden for three years here and there, dismounted. When that dog would bark, “Health, peace, calm,” there were no enemies. When it would howl and bark then there had become enemies. The dog, knowing of the Lord’s riding out, howled and barked for three years. The emperor Siduryu said, “This dog of mine has become old and and is no longer prophetic,” and remained without vigilance. The Lord after this sent forth his infantry in the year of the of dog (1226).

Review from Mongolian History: “Leland Liu Rogers has produced a vitally important book ( replete with extensive and invaluable footnotes), which is a precious resource for the Mongolian history specialist, as well as the general reader interested in the unique perspective of the Mongols about Chinggis Khan and the Mongol’s cultural ethos on the eve of Manchu suzerainty.”

Click here to read the table of contents from the Publisher’s website

Sandwich – The ‘Completest Medieval Town in England’: A Study of the Town and Port from its Origins to 1600

By Helen Clarke, Sarah Pearson, Mavis Mate and Keith Parfitt

Oxbow Books, 2010
ISBN: 978-1-84217-400-5

Book Description: To the casual visitor of today, Sandwich appears as simply a small inland market town on the bank of a modest river. But locals and historians have long known that in the Middle Ages it was a strategic and commercial seaport of great significance, trading with northern Europe and the Mediterranean and growing prosperous on this business.

The medieval fabric of the town has been preserved to a remarkable extent, but historians and archaeologists have never agreed on quite where the first settlement was located. Nor has there been close study of what the surviving medieval buildings can tell us about Sandwich’s development.

It is the physical development of Sandwich that forms the focus of this volume, providing new theories on how, when and why the town came to take its present form. As well as providing a great amount of detail on the houses, churches and defences of medieval Sandwich, the authors apply the material evidence in order to draw out important social, economic and cultural facets in the evolution of the town.

The study of Sandwich also has much wider implications, as despite being largely affected by its location, it also shared much with other English medieval towns in terms of its physical growth and the role of its major institutions. The story of the town, therefore, is both particular and general, and this detailed study gives new insights into the influences affecting urban development, both in the formative period of growth and in later periods in which towns adapted to new circumstances. The method presented here could therefore, be equally applicable to studies of other medieval towns. Maps, plans and photographs, all in full colour, supplement the text and graphically underline many of the conclusions.

Sandwich Before the Cinque Ports – Since October 2004 English Heritage has been supporting The Sandwich Project, a multi-disciplinary approach to the development of Sandwich from its origins to 1600. The idea for the project arose when Sarah Pearson, a building historian and specialist in Kentish medieval buildings, began to survey some of the over 150 domestic buildings which survive in Sandwich from before 1600 and which make it a rguably the ‘completest medieval town in England’. She soon realised that although the buildings formed a unique historical record , reflecting trends in building construction, usage and social status over more than three centuries, their significance would be greatly enhanced if they could be set in a wider context….

Mapping the History of Sandwich – A member of staff from Canterbury Christ Church University has produced a series of maps for a major new publication on the historic development of Sandwich. John Hills, who works as a technician in the Department of Geographical and Life Sciences at the University, created the maps for the book: Sandwich – the ‘completest medieval town in England’. John said: “During my time at the University I have produced many maps for publication, but this project was especially enjoyable.  As a lover of history I found the subject fascinating. The finished book is a really impressive body of work that I am proud to be associated with.”

Click here to go to the Publisher’s website

Britain After Rome: The Fall and Rise, 400 to 1070

By Robin Fleming

Penguin/Allen Lane, 2010
ISBN: 9780713990645

The extraordinary discovery last year of some 1,500 pieces of Anglo-Saxon gold in a Staffordshire field has galvanised interest in a mysterious, remote time in this country’s history.

In Britain After Rome Robin Fleming writes about the people of early medieval Britain and the communities in which they lived. It’s a narrative history, in which the story it tells is driven not by such famous individuals as King Offa and Æthelred the Unready, but by the lives of the hundreds and thousands of nameless people who lived and died alongside them.

The written sources for these centuries are poor, but the archaeology, using the most cutting-edge technology, is fascinating, allowing us to know so much more about our ancestors than could have been imagined even ten years ago.

“Texts deal almost exclusively with kings and churchmen,” writes Fleming in the introduction, “and they report on these people’s world from their own very specific and particular points of view … The discoveries unearthed by archaeologists in the past thirty years are profoundly transformative, not least because they are so often at odds with our texts.”

Britain After Rome brings together a lifetime’s research and imaginative engagement to bring us closer than ever before to life in Britain after the departure of the Roman legions.

Click here to go to the Publisher’s Site

Edward IV and the Wars of the Roses

By David Santiuste

Pen and Sword Books, 2010
ISBN: 978-1844159307

Indisputably the most effective general of the Wars of the Roses, Edward IV died in his bed, undefeated in battle. Yet Edward has not achieved the martial reputation of other warrior kings such as Henry V – perhaps because he fought his battles against his own people. It has also been suggested that he lacked the personal discipline expected of a truly great commander. But, as David Santiuste shows in this perceptive and highly readable new study, Edward was a formidable military leader whose strengths and subtlety have not been fully recognized.

On the battlefield he was an audacious soldier, fighting like a lion to defend his rights, although he also possessed a cool head that allowed him to withdraw when the odds were against him. His court was a centre of chivalry, but he did not seek military glory for its own sake. For Edward, warfare was always a means to an end – indeed he often preferred to forgive his enemies rather than destroy them. And yet, in 1461 and 1471, he waged two brutal and relentless campaigns, crushing all the opposition in his path.

David Santiuste’s reassessment of Edward’s military role, and of the Wars of the Roses in which he played such a vital part, gives a fascinating insight into Edward the man and into the politics and the fighting. Based on contemporary sources and the latest scholarly research, Edward IV and the Wars of the Roses brings to life an extraordinary period of English history.

“A pleasing and well-informed appraisal of the first Yorkist king. Santiuste provides a clear and cogent survey of the battles that put Edward IV on the throne, and the ones that kept him there” – Michael K. Jones, author of Agincourt 1415 and Bosworth 1485

Barnet 1471: A Battle of the Wars of the Roses – article by David Santiuste

Review by Bob Mardling in HistoryTimes – “a work of very considerable appeal, both to the knowledgeable student of the period and to the amateur.”

Building the Medieval World

By Christine Sciacca
J.Paul Getty Museum / British Library, 2010
ISBN: 978-1-60606-006-3

Some of the great and lasting achievements of the Middle Ages and the Renaissance are the architectural wonders of soaring cathedrals and grand castles and palaces. While many of these edifices survive, many more are lost, and it is within the pages of illuminated manuscripts that we often find the best record of the appearance of these amazing buildings. This volume, a joint publication of the J. Paul Getty Museum and the British Library, illustrates the creative ways in which medieval artists represented architecture, offering insight into what these buildings meant for medieval people. Such structures were not just made to be inhabited—they symbolized grandeur, power, and even heaven on earth.

From the author, Christine Sciacca, assistant curator in the Department of Manuscripts at the J. Paul Getty Museum: “The captivating castles and cathedrals of medieval Europe have been studied extensively, but relatively little has been said about what happened when medieval artists took it upon themselves to depict these buildings in the pages of illuminated manuscripts. These vibrant painted images not only document structures sometimes long destroyed, they also tell us a great deal about what people of the time thought about these buildings and what their greater meaning was for the individuals who lived with them every day.”

Table of Contents

Introduction: Architecture in the Medieval World

The Castle
Church Spaces
Medieval Cities, Towns and Countryside
Documenting Historical Buildings
Medieval Construction Methods
Focus: Architecture Inside and Out

Architecture in Scripture
Architecture in Medieval Literature
Saints and Their Architectural Symbols
The Virgin Mary and the Church
Focus: Architecture Takes Center Stage

Architecture in the Margins
Triumphal Arches and Niches of Honor
Framing Charts and Texts
Structural Compositions
Focus: Architecture Abstracted

Click here to see Building the Medieval World: Architecture in Illuminated Manuscripts – exhibition held in 2010 at the Getty Center

Holy Warriors: A Modern History of the Crusades

By Jonathan Phillips

Bodley Head, 2009
ISBN: 97802240799372

Synopsis: In his remarkable book, Jonathan Phillips explores the conflict of ideas, beliefs and cultures and shows both the contradictions and diversity of holy war. He draws on contemporary writings – on chronicles, songs, sermons, travel diaries and peace treaties – to throw a brilliant new light on people and events we thought we knew well. Although the notion of fighting for one’s faith fell into disrepute in the Enlightenment, Phillips traces the crusading impulse from the bloody conquest of Jerusalem in the First Crusade and the titanic struggle between Richard the Lionheart and Saladin up to the present day – to George W. Bush’s characterisation of the war on terrorism as a crusade.

Read an excerpt of the book from the New York Times

Book Review by Eric Ormsby, New York Times – “This is the best recent history of the Crusades; it is also an astute depiction of a frightening cast of mind.”

Book Review by Robert Irwin, Literary Review – “Although Holy Warriors has been written for a general readership, its scholarship is meticulous and up to date. Phillips briskly discounts items of popular folklore about the crusades, such as the notion that landless younger sons formed a large part of the crusading expeditions to the East. Similarly, he does not think that it makes sense to regard colonialist land-grabbing hunger as an important motive for crusading.”

Book Review by Norman Housley, BBC History Magazine – “With its crisp management, accessible style and deft characterisation, this book stakes a strong claim to be the most appealing narrative account of the Crusades for a general audience.”

Book Review by Simon Sebag Montefiore, Financial Times – “In Holy Warriors, Jonathan Phillips delivers a history that brings the concept of the crusades up to the present, with both academic analysis and elegant storytelling.”

Jonathan Phillips’ Faculty web page from Royal Holloway, University of London

Entry on Jonathan Phillips from the Crusades Encyclopedia

The Odyssey of Ibn Battuta: Uncommon Tales of a Medieval Adventurer

By David Waines
I.B. Tauris, 2010
ISBN: 978 184511 805 1

Summary: Ibn Battuta was, without doubt, one of the world’s truly great travelers. Born in fourteenth-century Morocco, and a contemporary of Marco Polo, Ibn Battuta left an account in his own words of his remarkable journeys, punctuated by adventure and peril, throughout the Islamic world and beyond. Whether sojourning in Delhi and the Maldives, wandering through the mazy streets of Cairo and Damascus, or contesting with pirates and shipwreck, the indefatigable Ibn Battuta brought to vivid life a medieval world brimming with marvel and mystery. Carefully observing the great diversity of civilizations that he encountered, Ibn Battuta exhibited an omnivorous interest in such matters as food and drink; religious differences among Christians, Hindus, and Shia Muslims; and ideas about purity and impurity, disease, women, and sex. David Waines offers here a graceful analysis of Ibn Battuta’s travelogue. This is a gripping treatment of the life and times of one of history’s most daring, and at the same time most human, adventurers.

Review in The Telegraph: ‘Waines handles his material with sensitivity, and is adept when writing on his subject’s stories of preparing honey in Morocco or his impatience with the way Maldivian women dressed, as well as larger questions about the nature of Ibn Battuta’s religious belief (he frequently claimed to have witnessed miracles). This “al-rihla”, or travelogue, is an illuminating glimpse into a world that is both ancient and foreign, but also familiar to anyone who enjoys travel.’

Ibn Battuta: Travels in Asia and Africa 1325-1354 – long excerpt from his work, from the Medieval Sourcebook

Ibn Battuta: The Animated Series – a television show in production

Videos

The Maps of Matthew Paris: Medieval Journeys through Space, Time and Liturgy

By Daniel K. Connolly
Boydell and Brewer, 2009
ISBN: 9781843834786

The illustrations of the Benedictine monk, artist, and chronicler Matthew Paris offer a gateway into the thirteenth-century world. This new study of his cartography emphasises the striking innovations he brought to it, and shows how the maps became an investment and repository of certain medieval spatial practices: travel through the world, the occurrence of history in that world, and the religious practices and devotional attitudes that were assiduously cultivated within the larger visual culture of St. Albans abbey [in great measure produced by Matthew's own images]. Travel [i.e. space], history [time], and devotion [liturgy], then, are the primary issues and meanings deposited in and registered by Matthew Paris’s cartographic landscape.

In searching out these contexts, the book explores the paradigm of imagined pilgrimage as an organizing principle that pushes into greater relief medieval understandings of their arrangements of places and of histories. Thus traveling through geography could enact its meanings in a dynamic, religious, even devotional performance of the maps’ materials. Richly illustrated with black and white and colour plates.

Matthew Paris’ map of Great Britain – from the British Library

Click here to go to the Publisher’s website

Click here to read an excerpt from the book

“Daniel K. Connolly’s The Maps of Matthew Paris. Medieval Journeys Through Space, Time, and Liturgy rejects the format of a more conventional monograph and instead examines the maps of Matthew Paris in the context of the visual culture of St. Albans, seeking to expose some of the visual contexts–spatial, liturgical, and graphic–that enriched the production of the maps. While some of his arguments are more persuasive than others, he has approached the work of Matthew Paris in an original and stimulating way and has made a meaningful contribution to our knowledge of the ways manuscripts, texts, images, rituals and prayers provided the fertile ground for the pictorial and cartographic imagination of Matthew Paris.” review by Camille Serchuk, from the Medieval Reviewclick here to read the full review

Examples of Matthew Paris’ maps: