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The Anglo-Saxon War-Culture and The Lord of the Rings: Legacy and Reappraisal

The Lord of the Rings - Aragorn

The Lord of the Rings – Aragorn

The Anglo-Saxon War-Culture and The Lord of the Rings: Legacy and Reappraisal

Pritha Kundu

War, Literature & the Arts: An International Journal of the Humanities, Volume 26 (2014)

Abstract

The literature of war in English claims its origin from the Homeric epics, and the medieval accounts of chivalry and the crusades. In modern war literature, produced during and after the two World Wars, themes of existential trauma, alienation of man as victim, horrors of the nuclear warfare and the Holocaust, and the evils of a totalitarian government, critique of narrow nationalism have become dominant; yet some memories of the Classical and the Medieval war-culture can be found, either as subtle allusion, or as a means of irony or satire, as in Catch-22 or Mother Courage. However, another ancient culture of war—that of the Anglo-Saxons—has failed to hold its sway over the thoughts of the modern war-poets and novelists.

In fact, the process of oblivion began as early as the 12th century, when the image of loud and boasting warriors, bursting the mead-halls with their genial laughter, and fighting to death for the love of their lords, was replaced by the courteous Christian knights on their quest for the Holy Grail, rescuing damsels in distress, representing abstract virtues and ideals of a feudal culture. In the long run, the medieval image of the knight-warrior, alongside the raw and ‘real’ quality of the Homeric battles, has found ways into the modern imagination, and produced modern reappropriations of these old materials, whereas re-works on Anglo-Saxon literature are of a poor amount. John Gardner’s Grendel offers an existentialist and psychoanalytic approach to Beowulf, rewriting it from the monster’s point of view, and G.K. Chesterton’s The Ballad of the White Horse recalls the tone of sadness and lament in the Old English elegies, but none of them shows interest in the war-culture of the Anglo-Saxons, which, not withstanding the ‘fantastic’ elements of monsters and dragons, remained so realistic in the battles themselves, and a strong bond of love and duty between the warrior-king and his thanes.

Click here to read this article from War, Literature & the Arts





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