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Making Books for Profit in Medieval Times

Making Books for Profit in Medieval Times

By Erik Kwakkel

Published Online (2013)

Detail of a miniature of a scribe writing the miraculous Gospels of Kildare - Royal 13 B.VIII, f.22

Introduction: The novelist L.P. Hartley once said that the past is like a foreign country: things are done differently there. What I find most remarkable about the bookish slice of medieval society that I study is not so much the differences between medieval manuscripts and our modern books, but their similarities. While one may be inclined to emphasize how “foreign” the medieval book is – they are, after all, made of dead cows, and are handwritten – they present such recognizably modern features as a justified text, footnotes, running titles and page numbers.

The similarities run much further than mere physical traits, however. Take for example the manner in which the book was made and acquired from the 13th century onwards. If you wanted a book in the later Middle Ages you went to the store, as in our modern day. The bookseller did not normally have any books in stock, except for perhaps some second-hand copies, but you would tell him what you wanted, both content-wise and with respect to the object’s material features. You could specify, for example, that he use paper (not parchment), cursive script (not book script) and add miniatures (or forego on decoration). Just like so many other objects you bought in late-medieval society, the commercially-made manuscript was custom-tailored to the individual who purchased it.

Click here to read this article from Medievalfragments

See also In It for the Money: The Birth of Commercial Book Production

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